Tag Archive for 'location-managers'

Location Awards honor industry best - Variety

“This awards gala honors our hard-working location managers whose main motto is ‘keep filming in California,’ ” said Sheri Davis, director of the Inland Empire Film Commission and awards co-chair along with Janice Arrington of the Orange County Film Commission and Pauline East of the Antelope Valley Film Office. …

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  • California On Location Awards
  • Inland Empire Film Commission
  • Antelope Valley Film Office
  • Orange County Film Commission

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    Location managers honored at COLAs - Hollywood Reporter

    The location managers behind Stage 6/Screen Gem’s “Fired Up” and Universal/Imagine’s “Frost/Nixon” tied for location manager of the year while the location team behind DreamWorks’ “Eagle Eye” took location team of the year, two of the top prizes at Sunday’s 14th annual California On Location Awards.

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  • COLA - California On Location Awards
  • Awards video
  • Fired Up movie at IMDB
  • Frost / Nixon at IMDB
  • Eagle Eye movie at IMDB

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    New nyc.locationscout.us Promo Postcard

    Hot off the presses, the new nyc.locationscout.us promo is hittin’ the mail!

    The photos on the card are from a location scouting job I did this summer in Red Hook, Brooklyn and a house from my locationfiles.com Locamundo location library in the Houses Locations Album (45953 Montclair, NJ); read more about this home here.


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    nyc.locationscout.us 4×6 full-color promo postcard, front and back
    PDF / 1mb / w/ crop lines, etc.
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    Coffee shop serves as site for filming - Whittier Daily News

    A film crew set up at Lisa’s Coffee Shop on San Bernardino Road in Covina on Monday to shoot a promotional commercial for the TNT cable network’s shows including `The Closer’, `Saving Grace’, and `Raising the Bar’. Location manager Albert M. Epps …

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  • TNT-TV
  • The Closer
  • Saving Grace
  • Raising the Bar
  • Albert M. Epps, Location Manager at IMDB

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    Library lights up for Hollywood crew - Observer & Eccentric

    The crew spent 1 1/2 days using the lobby and conference room as the setting for a film set in the headquarters of a fictitious auto parts company, explained David Rumble, location manager who recommended the Southfield Library because, with a few props, it looked like a big time meeting room. …

    They were shooting scenes from “Demoted,” a comedy from Parallel Media in Los Angeles, expected to be released next year. …

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    Location chaos threat to Cape film industry - Independent Online

    …said they recently hosted a meeting where location managers, scouts and film-unit managers agreed on the need to set up a location guild.

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  • Cape Film Commission

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    Bruce Parry: Life after the ‘Amazon’ - The Independent

    Bruce has crammed a remarkable amount into less than four decades: a Royal Marine for five years, an expedition leader, a location manager for pop videos and, for the past six years, TV presenter specialising in the raw edges of the world, with Tribe. This week he adds two more strings to his bow with his book, Amazon, and a CD of music commissioned to benefit the charity Survival International. …

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    Bruce Parry Presents Amazon-Tribe-Songs for Surviv

    Bruce Presents Amazon-Tribe-Songs for Surviv Parry. 2008, Audio CD, $15.18

    5.0

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    • Belem: The End of the Journey | Tuesday, 10 June 2008, 2:18 pm
      I’ve just walked into the vast expanse of water that is the Atlantic Ocean to give my last piece to camera of the whole shoot. I collapsed into the wa. […]
    • At the end of the Amazon | Tuesday, 10 June 2008, 12:33 pm
      Bruce takes a dip at the end of his epic journey… …and contemplates taking a well-earned rest
    • To Bruce and the Amazon | Tuesday, 10 June 2008, 7:34 am
      Posted from: Belem We’ve done it. We’ve reached the port of Belem, the gateway of the Amazon, where the mighty river finally meets the Atlantic Ocean.. […]

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    Movie stars make stop in St. Mary for new film - Great Falls Tribune

    The Montana Film Office has worked with the production team since December 2007 to bring the film to the state. Film Office staffer John Ansotegui worked with the National Park Service and the production company location manager, Alasdair Boyd, to choose the site for the shoot. …

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    Story of the Scene: ‘Chariots of Fire’, Hugh Hudson (1981) - The Independent

    When location manager Iain Smith turned up on the beach at St Andrews at 5am in the morning, he assumed the shoot would go smoothly this time round. The opening shot for Chariots of Fire showed the athletes in training, running through the sea. Since …

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    • Chariots of Fire (1981) |
      The story of two British track athletes, one a determined Jew, and … Discuss this movie with other users on IMDb message board for Chariots of Fire. […]
    • Chariots of Fire |
      Two very different runners — hotshot Jewish Cambridge scholar Harold Abrahams (Ben Cross) and rigid Presbyterian missionary Eric Liddell (Ian Charles. […]
    • Chariots of Fire - Wikipedia, the free encyclopedia |
      Chariots of Fire is a 1981 British film written by Colin Welland and directed by … Chariots of Fire at the Internet Movie Database. Chariots of Fire. […]

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    Baz Luhrman’s Australia: the epic Outback - Daily Telegraph

    “The challenges involved with making a film of this scale in this place are immense,” said the location manager, Phillip Roope, whose film credits include Superman Returns, The Beach and Tomorrow Never Dies. “We have our own water trucks, a grader for making roads and I think we must have hired every rental car in the Top End.” …

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    Member since March 2008 - Auburn Journal

    Film Auburn is a location Library for films and productions wanting to film in the Northern California Reign, In addition a location manager and scout and a proud registered vendor with Placer County Sacramento county, and Eldorado county film …

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    View Finder

    Portfolio.com | Careers | Job of the Week | View Finder | Location Manager Michael Burmeister | by Michelle V. Rafter | Sep 7 2008

    Michael Burmeister can make Utah look like Antarctica and New Mexico resemble Mars. That’s just a day’s work for the location manager, who’s scouted locales for movies ranging from Tropic Thunder to the upcoming Terminator sequel.”

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    LAPD Intends to Assume Production Security

    LA Times | Entertainment | Hollywood protests LAPD effort to take over security on location sets | A coalition of labor and industry groups tries to block a plan to replace so-called movie officers, many of whom are retired cops, with off-duty active police officers. | By Richard Verrier, Los Angeles Times Staff Writer | September 3, 2008 | via Google News

    Hollywood’s production community is yelling “cut!” to a plan by the LAPD to take over the jobs of handling security — many of which are filled by former cops — on film sets.”

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    I am interested to see how this all works out…

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    Starting Out in Location Scouting

    Occasionally, I get emails asking how to get started in location scouting / location management. I am often suspicious that people that write these letters are looking for a way - ANY way - out of whatever it is they are currently doing (and potentially dislike) rather than actually being genuinely interested in the location services field - It’s a “real” job with lots of responsibility and very well not nearly as glamorous as you might have imagined.

    Didja know the Location Department is the department in charge of making sure the trash gets carried away at the end of a shoot?

    Also, let’s face it, I am a pretty easy target - a quick email requesting a free look into the crystal ball is a pretty cheap investment in a career and I am pretty easy to find.

    … so how might anyone really know they want to be a location scout?

    It’s almost like, if they did know, they wouldn’t be asking.

    …but that’s just me, and as remote as it might be ;) there is a distinct possibility that my thinking on this could be flawed.

    That said, this is how things happenned for me:

    I attended the Art Institute of Fort Lauderdale (AIFL) in Fort Lauderdale, FL and earned an Associate of Science Degree (AA) in Photography.

    Also at the time, I, of course, had aspirations to become a world-famous, world-travelled, filthy-rich, rockstar commercial photographer. When the major ad agencies of the world and top-shelf design firms of the world didn’t beat a path to my door upon graduation, I set about trying to learn more about my craft in the “real” world, seeking work as a photo assistant in the Fort Lauderdale and Miami media markets. At the time I entered the workforce and with considerations toward the size of the market I was in, I found staff positions in short supply, however, there was a blooming market for freelance photo assistants, helped by a blossoming South Beach “media scene” (and of course the generally balmy year-round weather in the region, which includes incredible stretches of pleasant, dry weather in the winter…) being fueled strongly by the fashion industry (as well as interest by advertising and media of many other types…), renovations and rehabilitation of the Art Deco buildings in the South Beach area of Miami Beach and a general boomtown economic environment of South Florida at the time. Miami Vice was in production then. In addition to working with local photographers I had a great opportunity to work with a number of photographers and production companies from all over the world, including a number of European-based teams and teams from New York, southern California and Chicago, to name a few.

    One of the photographers I worked with as a photo assistant in south Florida was a fashion advertising photographer from the New York City area, Tom Contrino. I worked as a local second assistant with Tom for two seasons and when his first assistant moved up the ladder to a photographer position in the still life area of the business back in New York City, I was offered an opportunity to move north to the New York City area and become Tom’s full-time, staff first assistant, which I accepted.

    In addition to freelance location scouting and production coordination for photography (both of which I discovered very early on that I found very gratifying and enjoyable) once I went to work to work for Tom I had an opportunity to expand my experience in these areas and learn an enormous amount about what it takes to operate a successful commercial photography business from the inside out and on a day - to - day basis - in addition to jobs we produced for clients, which often at times included location scouting and production coordination, in addition to my regular duties on shoots as a camera assistant and lighting tech, I was soon handling many back end chores such as hiring extra assistants, invoicing, equipment rental / purchasing, insurance inventorying, promotion - it all rolls together in a busy photography business.

    My tenure with Contrino Photography also offered me an excellent opportunity to travel and even tho I settled in New Jersey, in the New York City metro area, I travelled quite a bit with Tom for work back to south Florida, to California, New Mexico, Nevada, Colorado, Chicago, and other destinations around the U.S.

    Eventually, after six years with Tom, it was, of course, time to move on and I became, once again, temporarily, a freelance photo assistant / production assistant, with aspirations AND experience needed to develop my own freelance location scouting / production business, working with photographer / director / producer clientele; subsequently, providing location services / locations for film / television / photo / events and production services for photography is what my current occupation consists of. Thru networking and marketing / promotion I have extended my location services beyond still photography to include video, motion picture and event clients.

    The “new frontier” for me (when I started out there was no email / we photographed locations using print film and made manila paper location folders filled with panoramic photos made by taping together 4×6 color prints…) is HDRi and image-based lighting for digital imaging (still and motion) and I have an association with Q-spheres to this end.

    I keep a running blog and online resume of sorts of jobs as I complete them which can be found at rrhobbs.us

    My website and home page, nyc.locationscout.us is both a blog and resource for location services and production. Please spend some time on the FAQS page! Use the search page and web and dig around for results for relevant location scouting search terms.

    Look on the sidebar, I can be found on most of the popular social networks (i.e. Twitter, Facebook, etc.)

    Anyway, that’s how it’s happenned for me - there is no magic formula for entering and developing a successful location scouting career - everybody is different and in the beginning it is often difficult to tell what you are truly interested in personally and / or how / if you might be of problem-solving service to enough people to make a career for yourself. SO much is tied up in personalities, personal priorities and changing needs, business relationships, aptitude and developed skills. - You really may only THINK you want to become a location scout / location manager… The only sure way to find out is to get out there and start DOING.

    I always tell aspiring newbie location scouts to look for film school student film projects and productions to work on - attending film school is an excellent background for a location scout, some grounding in filmmaking is a very neccesary prerequisite. Look for start up and no / low budget short films and movies to volunteer for - you get out what you put in - hell, even if you are “just” sweeping the floors, you still get to watch - and learn - you have to expect you are initially likely letting yourself in for a period of going hungry and still, somehow, making ends meet - you have to be generally resourceful, develop keen communication / negotiating and research skills and you have be willing to toot your own horn (without being annoying) - but as you learn and start becoming a problem solver - if you love your work and are good at it, it will show! - making someone’s life easier, they will tell their friends and associates - The rest is yours to discover and grow by.

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