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MOFTB: Reel Jobs NYC

MOFTB | Reel Jobs NYC

Reel Jobs NYC (formerly known as the ‘techlist’) is a downloadable PDF document, it is updated on our site on Mondays. You will need Adobe Acrobat to view it on your computer.

It can also be picked up directly from our office Monday through Friday, from 9:00am to 5:00 PM.

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  • Download Reel Jobs NYC
  • feed Yahoo! Search: film tv production jobs New York City

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    View Finder

    Portfolio.com | Careers | Job of the Week | View Finder | Location Manager Michael Burmeister | by Michelle V. Rafter | Sep 7 2008

    Michael Burmeister can make Utah look like Antarctica and New Mexico resemble Mars. That’s just a day’s work for the location manager, who’s scouted locales for movies ranging from Tropic Thunder to the upcoming Terminator sequel.”

  • Photo Slideshow
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    LAPD Intends to Assume Production Security

    LA Times | Entertainment | Hollywood protests LAPD effort to take over security on location sets | A coalition of labor and industry groups tries to block a plan to replace so-called movie officers, many of whom are retired cops, with off-duty active police officers. | By Richard Verrier, Los Angeles Times Staff Writer | September 3, 2008 | via Google News

    Hollywood’s production community is yelling “cut!” to a plan by the LAPD to take over the jobs of handling security — many of which are filled by former cops — on film sets.”

    read more

    I am interested to see how this all works out…

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    Starting Out in Location Scouting

    Occasionally, I get emails asking how to get started in location scouting / location management. I am often suspicious that people that write these letters are looking for a way - ANY way - out of whatever it is they are currently doing (and potentially dislike) rather than actually being genuinely interested in the location services field - It’s a “real” job with lots of responsibility and very well not nearly as glamorous as you might have imagined.

    Didja know the Location Department is the department in charge of making sure the trash gets carried away at the end of a shoot?

    Also, let’s face it, I am a pretty easy target - a quick email requesting a free look into the crystal ball is a pretty cheap investment in a career and I am pretty easy to find.

    … so how might anyone really know they want to be a location scout?

    It’s almost like, if they did know, they wouldn’t be asking.

    …but that’s just me, and as remote as it might be ;) there is a distinct possibility that my thinking on this could be flawed.

    That said, this is how things happenned for me:

    I attended the Art Institute of Fort Lauderdale (AIFL) in Fort Lauderdale, FL and earned an Associate of Science Degree (AA) in Photography.

    Also at the time, I, of course, had aspirations to become a world-famous, world-travelled, filthy-rich, rockstar commercial photographer. When the major ad agencies of the world and top-shelf design firms of the world didn’t beat a path to my door upon graduation, I set about trying to learn more about my craft in the “real” world, seeking work as a photo assistant in the Fort Lauderdale and Miami media markets. At the time I entered the workforce and with considerations toward the size of the market I was in, I found staff positions in short supply, however, there was a blooming market for freelance photo assistants, helped by a blossoming South Beach “media scene” (and of course the generally balmy year-round weather in the region, which includes incredible stretches of pleasant, dry weather in the winter…) being fueled strongly by the fashion industry (as well as interest by advertising and media of many other types…), renovations and rehabilitation of the Art Deco buildings in the South Beach area of Miami Beach and a general boomtown economic environment of South Florida at the time. Miami Vice was in production then. In addition to working with local photographers I had a great opportunity to work with a number of photographers and production companies from all over the world, including a number of European-based teams and teams from New York, southern California and Chicago, to name a few.

    One of the photographers I worked with as a photo assistant in south Florida was a fashion advertising photographer from the New York City area, Tom Contrino. I worked as a local second assistant with Tom for two seasons and when his first assistant moved up the ladder to a photographer position in the still life area of the business back in New York City, I was offered an opportunity to move north to the New York City area and become Tom’s full-time, staff first assistant, which I accepted.

    In addition to freelance location scouting and production coordination for photography (both of which I discovered very early on that I found very gratifying and enjoyable) once I went to work to work for Tom I had an opportunity to expand my experience in these areas and learn an enormous amount about what it takes to operate a successful commercial photography business from the inside out and on a day - to - day basis - in addition to jobs we produced for clients, which often at times included location scouting and production coordination, in addition to my regular duties on shoots as a camera assistant and lighting tech, I was soon handling many back end chores such as hiring extra assistants, invoicing, equipment rental / purchasing, insurance inventorying, promotion - it all rolls together in a busy photography business.

    My tenure with Contrino Photography also offered me an excellent opportunity to travel and even tho I settled in New Jersey, in the New York City metro area, I travelled quite a bit with Tom for work back to south Florida, to California, New Mexico, Nevada, Colorado, Chicago, and other destinations around the U.S.

    Eventually, after six years with Tom, it was, of course, time to move on and I became, once again, temporarily, a freelance photo assistant / production assistant, with aspirations AND experience needed to develop my own freelance location scouting / production business, working with photographer / director / producer clientele; subsequently, providing location services / locations for film / television / photo / events and production services for photography is what my current occupation consists of. Thru networking and marketing / promotion I have extended my location services beyond still photography to include video, motion picture and event clients.

    The “new frontier” for me (when I started out there was no email / we photographed locations using print film and made manila paper location folders filled with panoramic photos made by taping together 4×6 color prints…) is HDRi and image-based lighting for digital imaging (still and motion) and I have an association with Q-spheres to this end.

    I keep a running blog and online resume of sorts of jobs as I complete them which can be found at rrhobbs.us

    My website and home page, nyc.locationscout.us is both a blog and resource for location services and production. Please spend some time on the FAQS page! Use the search page and web and dig around for results for relevant location scouting search terms.

    Look on the sidebar, I can be found on most of the popular social networks (i.e. Twitter, Facebook, etc.)

    Anyway, that’s how it’s happenned for me - there is no magic formula for entering and developing a successful location scouting career - everybody is different and in the beginning it is often difficult to tell what you are truly interested in personally and / or how / if you might be of problem-solving service to enough people to make a career for yourself. SO much is tied up in personalities, personal priorities and changing needs, business relationships, aptitude and developed skills. - You really may only THINK you want to become a location scout / location manager… The only sure way to find out is to get out there and start DOING.

    I always tell aspiring newbie location scouts to look for film school student film projects and productions to work on - attending film school is an excellent background for a location scout, some grounding in filmmaking is a very neccesary prerequisite. Look for start up and no / low budget short films and movies to volunteer for - you get out what you put in - hell, even if you are “just” sweeping the floors, you still get to watch - and learn - you have to expect you are initially likely letting yourself in for a period of going hungry and still, somehow, making ends meet - you have to be generally resourceful, develop keen communication / negotiating and research skills and you have be willing to toot your own horn (without being annoying) - but as you learn and start becoming a problem solver - if you love your work and are good at it, it will show! - making someone’s life easier, they will tell their friends and associates - The rest is yours to discover and grow by.

    feed Yahoo! Search: location scout

  • Wikipedia - Location Scouting (I started and regularly contribute)
  • Go For Resources | Getting Started in the Film Industry
  • Location Works | How to Become a Location Manager
  • LocationTalk
  • Budget Travel Online | How Location Scout Kevin Hodder Got His Awesome Job
  • Cash B’s My Life As A Location Scout




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    Wanderlust: Get Paid to Travel | How To Be A Location Scout

    Wanderlust | Get Paid to Travel | How To Be A Location Scout | By Nick Ray

    “What could be more exotic and more glamorous than scouting far-flung locations, trying to find the best places for Brad and Angelina to play out their latest blockbuster? There’s travel, five-star luxury, a healthy pay check and lots of beautiful people!

    But with a job description like that, you know it’s going to be a hard industry to crack. You need to prove your expertise in a destination, and master the knack of finding inspirational realities that mirror the director’s vision. You need to be prepared for hard work and odd requests. And you need to be able to beat off the millions of other location-scout hopefuls.”

    read more

    About Wanderlust | What We Do

    Wanderlust is the UK’s leading magazine for independent-minded and adventurous travellers.”

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    Great FAQ Page / Maryland Film Office

    The Maryland Film Office in Baltimore, MD has a wonderful general film production FAQ (Frequently Asked Questions) page - what follows is a small sample of the Q / A contained therein (altho this FAQ is contained within the Maryland Film Office website, many of the questions / answers could apply to just about any locality and all are relevant in some way…) :

  • What does the Maryland Film Office do?
  • How can I have my property used in a film?
  • How can I be an extra in a movie or television show?
  • How can I get a job on a movie crew?
  • read the rest

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    Pennsylvania Film Office

    Pennsylvania Film Office | About the Pennsylvania Film Office

    …”The Pennsylvania Film Office, as a part of the Pennsylvania Department of Community and Economic Development, is ready to meet your film’s every need. From securing permits to helping your scout find the perfect location, the Pennsylvania Film Office will be there — on the phone, face-to-face, behind the scenes — whenever you need us to get the job done. We’re committed to coordinating efforts statewide to make every project filmed in Pennsylvania a success.”

    read the rest

  • Online Production Guide
  • Locations
  • Filmography
  • Incentives
  • News
  • Resources
  • I have called on the PA Film Office many times for assistance finding locations for photo and video productions and have always been impressed and grateful for FilminPA’s knowledgeable, eager efforts to help - not to mention, Pennsylvania has GREAT locations!

    Also of likely interest:

  • Greater Philadelphia Film Office
  • Pittsburgh Film Office
  • Other Film Offices and related content on nyc.locationscout.us
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    Online File Storage for Location Scouts?

    The jury is (and may always be) out on the best solutions for digital file archiving and backup. What follows are some thoughts about same and some solutions I have been exposed to:

    Here’s the scenario- as a location scout, I deal with A LOT of photos- individually they are not unusually large files, but between scouting jobs and photos that people send me of their property, I look at and have to deal with organizing a heapo’ pictures on just about a daily basis! Not only that, in the location scouting biz, information is money so there have to be ways to access this visual information quickly(as well as the contact info and notes about each- but more on that later…).

    The first place any photos go when I aquire them is a remote 160 GB Firewire (or IEEE 1394) hard drive pretty much dedicated to archiving location photos, shortly after which, especially if the photos were made for an in-progress location scouting job, they get uploaded to my Locamundo account for immediate use in an online location album and archived for permanent reference.

    Call me paranoid ;-) but what if:

  • my hard drive crashes?
  • locamundo crashes? (the photos get compressed on locamundo too and I have prefer to have “original photos”). Also I could lose my internet connection temporarily (its happenned more than once and could occur on the Locamundo end or my ISP’s end (network problems, severe weather/ power outage) in any case, its annoying and does nothing to help me help my client solve their problems, which we are more often than not trying to do on a tight deadline.
  • I have many of my files backed up locally on yet another local harddrive partition, but all these files on the same machine take up a lot of hardrive space. The cost is not such a problem in and of itself, harddrives get cheaper every day; however, all these files lying around in partitions on the same local harddrive(s) do nothing to help speed along more mundane tasks such as searching for files, whether they be related to location scouting scouting or not and really increase the time it takes for my anti-virus program to do its daily scan of my system. I defragment my hardrives regularly to help keep them speedy and healthy and lots of files make that go much slower as well.

    Purchasing additional removable drives might be the way to go.

    In “the real world”, the fact is, once my files are uploaded and keyworded on Locamundo, I may not ever need to touch them again, or if I do it is likely to be a long time before I do, but the fact remains that I cant just delete them.

    Enter online storage solutions.

    Right now I am trying out MediaMax Streamload. Streamload is the name of a Windows program ditributed by MediaMax which runs locally(on my computer) as a service and provides a secure network link to my private file storage account on MediaMax’s server. At this writing, MediaMax provides a free 25GB account, upgradable to provide more storage space. Then next upgrade level is 100GB for $4.95 per month, which is very affordable and which I might move up to as soon as I figure out why Streamload is hanging when I try to access the local folders where my files are located. I like the online solutions, they do backups on their end as well.

    But…like I said, I gotta lotta files, it could be a matter of organizing them differently so the Streamload application doesnt cease to respond. Compared to local drives, an internet connection, from dialup all the way up to heavy-duty broadband connections are pretty lightweight. You can cram just so much info in a data pipe at time. It’s always something…

    Update: After opening a free Media Max account and downloading and running the Streamload Beta, when I used it to find my files to upload, the program hung and had to be forced closed. Kinda defeated the purpose of using proprietary software whose stated purpose was to facilitate uploading large numbers of files simply and quickly. When I needed to do a restart my entire system hung. I rebooted to safe mode and to try and uninstall Streamload that way but its uninstaller would not work in safe mode. I had noticed that Streamload was running as a Windows Service so I disabled it there, rebooted normally and uninstalled Streamload. Summarily, it didnt seem to play well with my system, your mileage may vary.

    Hmm, maybe there are some Bittorrent solutions out there? In addition to bittorrents typically taking a LONG time (this is my experience- again, your mileage may vary), they rely on a pool of people sharing a file to pass the pieces to each other and the Bittorrent app takes up recources while it is working- I dont wanna share my files with others and sometime I have to have a lot of programs open on my computer that I need to be running full steam- I sure dont need bog-downs and crashes trying to make a deadline! Still, gotta look into that a little more

    CD’s/DVD’s you say? Been there, done that. Takes forever, ties up computer resources and the media (the cd’s/ dvd’s) data deteriorates over time. I have two crates of cd’s that I have used to back up files over the years and everytime I put one in the cd drive, if it is more than a year or two old, there is a good chance it is unreadable- corrupted. I have cd’s going on ten years old, I probably have a lot of files I may never again have access to. File recovery is VERY time consuming or VERY expensive. Remember Zip Disks and floppies? What a laugh!

    IDE, Firewire and USB Harddrives have become very affordable so, as I mentioned above, this is a road I have followed as recently as the past year or so. Traditional IDE hardrives of very good quality can be bought very cheaply and the prices seem to continue to drop. Cases and USB/Firewire interfaces amke these drives removable and portable. These drives are fast. May be time to buy some new hardware.

    I welcome feedback about all this so, for now, I am going to leave comments open for this post, something I rarely do, as I just dont have time (you see me trying to buy just a little time doing backups here don’cha?) to put into housecleaning blog spam. Akismet, do your thing! We’ll see how it goes…

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      updates:

    • 4/21/2008 update | added map / feeds / general cleanup | previous timestamp: March 5, 2008 at 8:13 pm
    • Note: Post updated Sat March 5th, 2008.
    • Note: Post updated Sat Feb 17th, 2007.

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    Interesting Post / Craigs List - Dallas

    …via dallas craigslist | crew gigs | Location Scout Annual Rip Off (TEXAS) | Date: 2008-04-05, 2:13PM CDT

    “This guy is a liar and a rip off.

    He asks for possible locations to review declines them all and then YOUR LOCATIONS end up on a K*r’s W*nghouse C*lendar.”

    …read the rest…

    Of course, the above posting could easily disappear into the ether (?) after its allotted uptime, so I have taken the liberty of flagging it for Best of Craig’s List.

    If you think the posting is deserving of preservation for future generations to enjoy, visit the link (before it expires! ;-) and while you are on the posting page look on the upper right hand corner of the page where it says, “please flag with care…” and click the bottom link in that box that says “best of craigslist“.

    BTW Best of Craig’s List usually makes for entertaining reading.

    BTW (IMHO) the jury is still out if CraigsList is a viable source of employment as a location scout or other production services person - I guess a lot depends on where you are in your career? I can only speak for myself, but I would feel much more comfortable looking for a great deal on a used refrigerator than I would feel optimistic of finding gainful freelance employment on Craigslist, if you catch my drift….however, if I was just starting out and looking to get some experience any which way I could, Craigslist seems like it would be a GREAT resource.

    On that note, The City of New York Mayor’s Office of Film Theatre & Broadcasting (MOFTB) maintains a job board. I can’t imagine Columbia Film School, NYU Film School and / or the film program at Montclair State University not having similar job boards.

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    10 Illegal Job Interview Questions

    Tech Republic | 10 Things Blog | Steer clear of these 10 illegal job interview questions | Date: September 17th, 2007 | Author: Suzanne Thornberry

    “Although HR departments should be aware of questions that are illegal to ask prospective employees, some hiring managers aren’t so savvy. Many illegal questions are easy for just about anyone with elementary social graces to avoid, but others might surprise you. In general, you should not ask interviewees about their age, race, national origin, marital or parental status, or disabilities”

  • #1: Where were you born?
  • #2: What is your native language?
  • #3: Are you married?
  • #4: Do you have children?
  • #5: Do you plan to get pregnant?
  • #6: How old are you?
  • #7: Do you observe Yom Kippur?
  • #8: Do you have a disability or chronic illness?
  • #9: Are you in the National Guard?
  • #10: Do you smoke or use alcohol?
  • read the rest

    Free Interview Form offered by Tech Republic (free registration required)

    read more

    Much more valuable content relevant to the list above and other excerpts are available by reading the original article. There are 224 comments at this writing so the subject is surely a lively discussion!

    feed 10 Things
    • 10 ways IT wastes money on development | Monday, 29 June 2009, 11:37 am
      To deliver value, IT departments must keep a tight rein on how they use their budget - and that includes development efforts. Justin James cites some. […]
    • 10 ways to survive office politics | Monday, 29 June 2009, 3:00 am
      Friction, deceit, gossip, rivalry, power plays — fine for movies and TV, but potentially disastrous in the workplace. Calvin Sun looks at strategies. […]
    • 10 mistakes new Linux administrators make | Monday, 29 June 2009, 3:00 am
      If you’re new to Linux, a few common mistakes are likely to get you into trouble. Learn about them up front so you can avoid major problems as you bec. […]

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    Steve Knee Interview at BizBash

    Steve Knee Interview at BizBash via Google Blogs Alerts

    Steven Knee, a long-time New York City location scout, was recently interviewed by online event planning resource portal, BizBash.

    Somewhere in the foggy cobwebs of my mind I think Steve and I may have met or spoken at one time, but it would have been some time back and I am not sure he would remember, either.

    In any case, Steve is a fairly well-known area location scout and member of ALSAM and gives good interview about his job as a New York City location scout and location manager!

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    Good Article on Becoming a Location Manager

    Location Works: How to Become a Location Manager

    Our UK counterparts over at www.locationworks.com have authored an article on their website that addresses some frequently asked questions about entering the film production profession and becoming a location manager. Here is an excerpt:

    “The job of the Location Manager can be difficult, frustrating, tedious and exasperating, and all that’s likely to be within the same day. It can also be hugely exciting, deeply fulfilling, and get you into situations and experiences that few other humans would encounter. In short, there’s nothing else like it, but don’t ever, ever expect it to be easy.”

    read the rest

    About Location Works

    Location Works is the largest and busiest location resource in the UK. Our one-stop service includes the UK’s largest on-line locations library combined with a complete location scouting and management service.”

    read more

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    How Location Scout Kevin Hodder Got His Awesome Job

    Budget Travel Online | How Location Scout Kevin Hodder Got His Awesome Job | Read our interview with the location scout for Survivor and Treasure Hunters | Tuesday, August 22, 2006

    BT: How did you get your awesome job?

    Kevin: I was working as a mountain guide in my hometown of Whistler, British Columbia. In 1996, the Eco-Challenge Expedition Race came to Whistler. (The Eco-Challenge was a multi-sport endurance race that was held in a different international location each year. It was filmed for television) The Race Technical Director, Scott Flavelle, gave me a job working as a guide for a camera crew on the mountain section of the race course.”

    read more

  • Kevin Hodder at Yahoo TV
  • Kevin Hodder at New York Times Movies
  • Kevin Hodder at Film.com
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    New York Location Scouts to Lose Scouting Tag Priveleges

    MOFTB: Scouting Tag Program Discontinued

    “May 23, 2006- Effective June 30, 2006, the Mayor’s Office of Film, Theatre and Broadcasting will no longer issue production scouting tags and all existing scouting tags will expire. Due to the success of the “Made in NY” tax incentive program, the City has accomplished its goal of attracting increased production business and employment for New Yorkers who work in the entertainment industry. In an effort to balance the needs of production and the communities in which they work, the MOFTB will no longer issue scouting tags. Easing the impact of parking upon neighborhoods will serve to keep locations film friendly, and allow the City to attract even more employment for our local entertainment professionals. The MOFTB will continue to issue tags to essential production vehicles with the shooting permit.”

    Cinematical | NYC Cuts Film Industry Perk | Posted Jun 13th 2006 8:01PM by Christopher Campbell | Filed under: Newsstand

    “Just when the city of New York is enjoying a surge in film production, hopefully cutting down on movies set in NYC but shot in Canada, a new decision is pissing off a lot of people in the movie business.”

    read more

    The Reeler | Tag, You’re Out: NYC Location Scouts’ Parking Perks Revoked | June 13, 2006

    “AM New York’s Chuck Bennett today has the “latest” on the troubles affecting New York’s location scouts, whose liberal, city-sanctioned parking privileges will expire June 30–never to return. The news is kind of old–the Mayor’s Office for Film, Theater and Broadcasting made the announcement May 23–but in case you wanted to hear location scouts bitching on the record, here you go:”

    read more

    http://news.yahoo.com/s/ap/20060614/ap_en_mo/film_scout_parking_2 (dead link) | By SARA KUGLER, Associated Press Writer Tue Jun 13, 8:11 PM ET

    “NEW YORK - Film scouts trolling New York City for its picturesque stoops and street corners won’t be free to park wherever they want now that officials are halting a special parking-permit program.”

    I was interviewed by phone today (but evidently, not quoted by name) by Sara Kugler from WABC-Radio in New York City. Here is some of what we discussed and points I tried to make:

    Looks like we location scouts might be losing our location scouting tag priveleges come July.

    “And what exactly is a location scouting tag privelege?”, you say?

    Well… upon completing a New York City filming permit application at the New York City Mayor’s Office of Film, Theater and Broadcast (MOFTB), requesting scouting tag(s) and approval of MOFTB, location scout(s), (for the duration of time allotted on the permit) have considerable leeway and freedom to park anywhere in the five boros in order to see locations with potential for use in their production.

    This is indeed a gift in a city the size and density of New York. Public parking is scarce at best and fraught with not only arcane parking restrictions, but sometimes those arcane parking restrictions are obscured further by the fact that the parking signs that contain those arcane parking restrictiction are, in fact, often absent, whether it be by theft/vandalism, perhaps having been in a spot where an auto accident occurred… there are a lot of reasons a parking sign could be missing in a town the size of NYC.

    The location scouting tag basically gives you the privelege to park wherever you can (with the intention of performing your duties as a location scout), provided you dont place human life in jeopardy (i.e. obvious no-no’s like parking in front of a firehouse driveway, or in an ambulance exitway) and be immune to the city’s ubiquitous “Brownies” (NYPD Traffic Enforcement) and the quite pricy parking citations they are employed to hand out (the last parking ticket I got some years back cost something like $85). If you receive a ticket, you turn it in with your scouting tag- it goes away.

    Doctors and foreign diplomats, as well as some members of the press (this could be an incomplete list) are eligible for many of these same priveleges.

    Alas, reports of abuses as well as the fact (per the excerpted article above) that the city has achieved its filming incentive goals combined with the undebatable fact that parking in New York is scarce in the first place may spell the end to scouting tag priveleges for NYC location scouts.

    I had a scouting tag once; I was working on a feature film, 9A several years go. The shooting schedule was tight, we were facing significant challenges regarding fulfilling locations required by the script, including scouting for night shots (at night) in what most would consider “less than desirable” parts of town; the scouting tag helped. A lot.

    Another argument for continuing the scouting tag privelege in NYC:

    New York is a world-class city. Some of the world’s most famous films (including tv shows, commercials, videos and photgraphs) have been made in NYC.

    As a location scout, one of the reasons you live in the NYC area is to have an opportunity to work on projects of this caliber.

    It is not unreal to assume that you could, in fact, find yourself driving around NYC (showing locations) in the same car together with an Oscar-winning director or acclaimed director of photography, a producer you just read about in a tabloid and a bazillion-dollar net-worth executive producer or financier, with the power between them to give the nod or say no to bringing $100 million or more in jobs or business to the city. (This is “economic development”. It’s good for cities. Production is good at that. And production doesnt pollute the air and water.) Anyway, I am sure you can see the motivation to let these people feel special and get their jobs done quickly and easily.

    In contrast, the film industry has changed a lot in the past few years, nowadays, there are hundreds, if not thousands, of smaller budget films in production in New York each year, thanks to the advent of the internet and digital imaging, which have effectively taken content distribution out of the hands of a few big-money players and put it into the hands of anyone with a passion to tell a story and can afford a camera, a crew, talent and their locations. Individually, these types of productions dont always spend that much, but as the sum of the parts, this group represents a sizable chunk of change in New York’s annual production income. It is this group that will be most affected by the scouting tag change, as they will have to figure into their budgets that their scouts will either have to pay for parking or for parking tickets. New York is already a fairly expensive town just to exist in, period; discontinuing the location scouting tag privelege could be one of many ways that production might have an incentive to go elsewhere. This is what is known as “runaway production”

    It’s a couple of more weeks till the scouting tag priveleges are scheduled to go away. It’s been good.

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    Association of Film Commissioners International

    Not everybody knows about the Association of Film Commissioners International …or even what a film commission (or film office) is. ;-)

    A film commission (or film office) is a bureau or office set up by (or perhaps in partnership wth) a local government by a group of interested parties to facilitate promoting their area for use by various visual arts industries, which could include film, video / television and photography, as well as many peripheral related industries which could involve theater, radio, music, professional talent (actors, models), hotels and hospitality- even the local dry cleaners! For the sake of brevity for the rest of this article lets just say “filmmaking” or “film industry“.

    The obvious main reasons for attracting filmmaking are for local economic development and general promotion of the arts. Convential wisdom dictates that the more money changing hands with more hands (economy) the better off the community is and prevalence of the arts in any community makes that community generally more “livable“.

    In addition to a being considered a relatively environmentally “clean” industry, filmmaking normally requires considerable local support from many other peripheral industries and businesses to function, as well being “people intensive”, thus creating local jobs and business opportunities.

    There is simply no better way to showcase a community than for the world to to “see it in pictures“.

    The best way for a local film office to promote filmmaking is to do everything it can to streamline the production process for filmmakers, so the more working knowledge a film office has of typical challenges productions face, the more effective the film office can be in making their area attractive to filmmakers.

    There are a number of ways for film offices to help production; some of the more easily recognisable ways might be:

  • Creating financial incentives such as tax breaks and negotiating discounts with local businesses.
  • Advocating cooperation by local government and law enforcement as well as local business and individuals.
  • Assisting in hands-on aspects of production coordination such as determining availability of and assisting in procurement of local crew, talent, (which could involve interaction with unions) equipment specific to filmmaking, locations, transportation and local amenities.
  • I hope all this gives you some idea of what business an article about film commissions has being on a location scouting website (this *is* a location scouting website, after all ;-).

    More specifically, if you are a property owner, if you are interested in having your property used for filming, besides local location scouts, (more prevalent locally in larger metro areas) your local or state film office(s) can assist you in promoting your property to filmmakers.

    For production folks, a local film office should be one of your first calls when researching or when you are in the early planning stages for a project. Local film offices are an all-too-often overlooked, generally free, resource.

    Association of Film Commissioners International exists to provide communication and exchanges of ideas between film commissions worldwide and as such is a very good resource for finding and contacting same.

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    NPR: Not My Job

    NPR: Not My Job:

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    “The game where we invite famous people onto the show to see what they really know…”

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    Owhatever Production Resources

    Owhatever Production Resources,Production Services, Production Jobs | Hollywood Yellow Pages | ABOUT

    OWhatever.com is the Yellow Pages of Hollywood.

    The entire industry finally has the most complete, world wide resource directory on the web 24/7, with the most current information that motion picture and video professionals need to expedite their work.”

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    A Primer on Production

    A Primer on Production | By Bill Miller | Sep 1, 2002 12:00 PM

    “From planning a budget to hiring a crew, this ‘how to’ guide will help you through the common pitfalls of video production.

    Depending on the size of your production, one person can usually do more than one job. For most budgets, a few key people can do all of the jobs required.

    The next few pages contain almost everything you’ll ever need to know about putting a video production together. Production can be as challenging as driving in a foreign city without a road map.”

    read the rest

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    DOT Location Manager Job Description

    191.167-018 - LOCATION MANAGER (motion picture; radio-tv broad.) - DOT Dictionary of Occupational Titles Job Description

    CODE: 191.167-018 | Buy the DOT: Download/Diskettes/CD-ROM | TITLE(s): LOCATION MANAGER (motion picture; radio-tv broad.)

    “Arranges for leasing of suitable property for use as location for television or motion picture production: Confers with production or unit manager and DIRECTOR, TELEVISION (radio-tv broad.) or DIRECTOR, MOTION PICTURE (motion picture) regarding scenic backgrounds, terrain, and other topographical details of locations required for photographing exterior scenes.”

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