Tag Archive for 'industries'

LAPD Intends to Assume Production Security

LA Times | Entertainment | Hollywood protests LAPD effort to take over security on location sets | A coalition of labor and industry groups tries to block a plan to replace so-called movie officers, many of whom are retired cops, with off-duty active police officers. | By Richard Verrier, Los Angeles Times Staff Writer | September 3, 2008 | via Google News

Hollywood’s production community is yelling “cut!” to a plan by the LAPD to take over the jobs of handling security — many of which are filled by former cops — on film sets.”

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I am interested to see how this all works out…

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Starting Out in Location Scouting

Occasionally, I get emails asking how to get started in location scouting / location management. I am often suspicious that people that write these letters are looking for a way - ANY way - out of whatever it is they are currently doing (and potentially dislike) rather than actually being genuinely interested in the location services field - It’s a “real” job with lots of responsibility and very well not nearly as glamorous as you might have imagined.

Didja know the Location Department is the department in charge of making sure the trash gets carried away at the end of a shoot?

Also, let’s face it, I am a pretty easy target - a quick email requesting a free look into the crystal ball is a pretty cheap investment in a career and I am pretty easy to find.

… so how might anyone really know they want to be a location scout?

It’s almost like, if they did know, they wouldn’t be asking.

…but that’s just me, and as remote as it might be ;) there is a distinct possibility that my thinking on this could be flawed.

That said, this is how things happenned for me:

I attended the Art Institute of Fort Lauderdale (AIFL) in Fort Lauderdale, FL and earned an Associate of Science Degree (AA) in Photography.

Also at the time, I, of course, had aspirations to become a world-famous, world-travelled, filthy-rich, rockstar commercial photographer. When the major ad agencies of the world and top-shelf design firms of the world didn’t beat a path to my door upon graduation, I set about trying to learn more about my craft in the “real” world, seeking work as a photo assistant in the Fort Lauderdale and Miami media markets. At the time I entered the workforce and with considerations toward the size of the market I was in, I found staff positions in short supply, however, there was a blooming market for freelance photo assistants, helped by a blossoming South Beach “media scene” (and of course the generally balmy year-round weather in the region, which includes incredible stretches of pleasant, dry weather in the winter…) being fueled strongly by the fashion industry (as well as interest by advertising and media of many other types…), renovations and rehabilitation of the Art Deco buildings in the South Beach area of Miami Beach and a general boomtown economic environment of South Florida at the time. Miami Vice was in production then. In addition to working with local photographers I had a great opportunity to work with a number of photographers and production companies from all over the world, including a number of European-based teams and teams from New York, southern California and Chicago, to name a few.

One of the photographers I worked with as a photo assistant in south Florida was a fashion advertising photographer from the New York City area, Tom Contrino. I worked as a local second assistant with Tom for two seasons and when his first assistant moved up the ladder to a photographer position in the still life area of the business back in New York City, I was offered an opportunity to move north to the New York City area and become Tom’s full-time, staff first assistant, which I accepted.

In addition to freelance location scouting and production coordination for photography (both of which I discovered very early on that I found very gratifying and enjoyable) once I went to work to work for Tom I had an opportunity to expand my experience in these areas and learn an enormous amount about what it takes to operate a successful commercial photography business from the inside out and on a day - to - day basis - in addition to jobs we produced for clients, which often at times included location scouting and production coordination, in addition to my regular duties on shoots as a camera assistant and lighting tech, I was soon handling many back end chores such as hiring extra assistants, invoicing, equipment rental / purchasing, insurance inventorying, promotion - it all rolls together in a busy photography business.

My tenure with Contrino Photography also offered me an excellent opportunity to travel and even tho I settled in New Jersey, in the New York City metro area, I travelled quite a bit with Tom for work back to south Florida, to California, New Mexico, Nevada, Colorado, Chicago, and other destinations around the U.S.

Eventually, after six years with Tom, it was, of course, time to move on and I became, once again, temporarily, a freelance photo assistant / production assistant, with aspirations AND experience needed to develop my own freelance location scouting / production business, working with photographer / director / producer clientele; subsequently, providing location services / locations for film / television / photo / events and production services for photography is what my current occupation consists of. Thru networking and marketing / promotion I have extended my location services beyond still photography to include video, motion picture and event clients.

The “new frontier” for me (when I started out there was no email / we photographed locations using print film and made manila paper location folders filled with panoramic photos made by taping together 4×6 color prints…) is HDRi and image-based lighting for digital imaging (still and motion) and I have an association with Q-spheres to this end.

I keep a running blog and online resume of sorts of jobs as I complete them which can be found at rrhobbs.us

My website and home page, nyc.locationscout.us is both a blog and resource for location services and production. Please spend some time on the FAQS page! Use the search page and web and dig around for results for relevant location scouting search terms.

Look on the sidebar, I can be found on most of the popular social networks (i.e. Twitter, Facebook, etc.)

Anyway, that’s how it’s happenned for me - there is no magic formula for entering and developing a successful location scouting career - everybody is different and in the beginning it is often difficult to tell what you are truly interested in personally and / or how / if you might be of problem-solving service to enough people to make a career for yourself. SO much is tied up in personalities, personal priorities and changing needs, business relationships, aptitude and developed skills. - You really may only THINK you want to become a location scout / location manager… The only sure way to find out is to get out there and start DOING.

I always tell aspiring newbie location scouts to look for film school student film projects and productions to work on - attending film school is an excellent background for a location scout, some grounding in filmmaking is a very neccesary prerequisite. Look for start up and no / low budget short films and movies to volunteer for - you get out what you put in - hell, even if you are “just” sweeping the floors, you still get to watch - and learn - you have to expect you are initially likely letting yourself in for a period of going hungry and still, somehow, making ends meet - you have to be generally resourceful, develop keen communication / negotiating and research skills and you have be willing to toot your own horn (without being annoying) - but as you learn and start becoming a problem solver - if you love your work and are good at it, it will show! - making someone’s life easier, they will tell their friends and associates - The rest is yours to discover and grow by.

feed Yahoo! Search: location scout

  • Wikipedia - Location Scouting (I started and regularly contribute)
  • Go For Resources | Getting Started in the Film Industry
  • Location Works | How to Become a Location Manager
  • LocationTalk
  • Budget Travel Online | How Location Scout Kevin Hodder Got His Awesome Job
  • Cash B’s My Life As A Location Scout




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    Film in New Jersey

    New York Times: Getting the Big Picture; The Film Industry Started Here and Left. Now It’s Back, and the State Says the Sequel Is Huge. | By ANDREA KANNAPELL | Published: October 4, 1998

    MERYL STREEP came to Maplewood for ”One True Thing.” Scott Rudin brought Kevin Kline to Montclair for ”In and Out.” Harrison Ford stalked through Newark City Hall in ”Presumed Innocent.” Nicolas Cage and Matt Damon stormed Atlantic City for ”Snake Eyes” and ”Rounders,” respectively. Jim Jarmusch is in Jersey City now, for ”Ghost Dog.” Woody Allen worked at the Jersey City Armory for ”Deconstructing Harry” and in Atlantic City for ”Celebrity”; he is planning to cross the George Washington Bridge again this month for his next project. Norman Jewison will be here, too, to recreate the story of the boxer Hurricane Carter.

    They’re all filming.”

    read the rest

    …via Mixed Nuts Productions:

    South Jersey Magazine | Coming Soon to a Theater Near You (free registration required)

    “…From the pages of South Jersey Magazine…

    South Jersey’s picturesque landscape, fertile fields of talent, and unparalleled personality make it big-screen worthy more than you probably know…

    read the rest

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    Alabama Film Office

    Alabama Film Office | Alabama Film Office: Mission Statement

    “To increase economic opportunities by building and promoting film and the related media industries in the State of Alabama. This includes recommending policies and legislation, implementing and participating in programs and projects, and actively representing Alabama’s natural assets and film industry infrastructure.”

  • Locations
  • Production Directory
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    Colorado Production Resource Guide

    The Colorado Production Resource Guide is a comprehensive portal of production resources available around the state of Colorado, produced and presented by the Colorado Film and Video Association:

    About the CFVA

    “The Colorado Film and Video Association (CFVA) is a professional association of film, video, digital media and multimedia professionals. CFVA was formed in July 1982 and now has over 750 members.”

    About the Colorado Production Resource Guide:

    “The Colorado Production Resource Guide (CPRG) is Colorado’s official production directory, put together yearly the by the Colorado Film and Video Association. The CPRG includes names and contact information for hundreds of people and businesses who work in the production industry. If you are involved with video, film or any other aspect of media production, you should be listed in the CPRG.”

    read the rest

      Colorado Production Resource Guide Section Guide Headings:
      * Pre-Production & Development
      * Production Companies
      * Crew
      * Production Equipment / Supplies / Facilities
      * Post Production
      * Location & Specialty Services
      * Support Services
      * Multimedia
      * Film Commissions & Community Profiles

      - Section Index

      - Lister Index

      Colorado Film Commission

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    links for 2008-04-26


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    Motion Picture and Television Photo Archive (MPTV)

  • Motion Picture and Television Photo Archive (MPTV)
  • Motion Picture and Television Photo Archive Blog
  • Motion Picture and Television Photo Archive | About:

    “Problem:
    The Hollywood photograph is part of our cultural history, documenting as it does, the development and growth of a uniquely American industry. Some are significant works of art in their own right. Thoughtless of the future, some film studios and periodicals, even Photographers themselves, discarded old negatives and prints, or stored them haphazardly. We have already lost too many through deterioration and disposal. If these fragile and irreplaceable images are allowed to disappear, they can never be recaptured.

    Solution:
    Fortunately, we have come to realize that these fast disappearing works substantially shaped and influenced the lives of most twentieth century Americans, and will provide an invaluable visual resource for present and future generations. However, as in the case of other endangered species, it is crucial to act now.

    The aim of MPTV is to provide a permanent photography center with a special emphasis on the Hollywood photograph and the creative achievements of the Photographers.”

    read the rest

    This organization, founded by late Hollywood celebrity photographer legend Sid Avery, has an amazing collection of entertainment industry photographs online available for browsing (…and of course, buying! ;-)

    check em out

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    Trigger Street

    Trigger Street.

    From Trigger Street - About Us:

    “Trigger Street Productions, Inc., was formed in 1997 by Kevin Spacey to develop and produce entertainment in a variety of mediums. Realizing that the path to his own success would have been much rockier without the support and encouragement of many outstanding mentors, Spacey has sought out a way to inspire, nurture, and help bring exposure to new and undiscovered talent.” (…read the rest…)

    Trigger Street is a media production industry community portal of considerable size. (I hope there are some other location scouts onboard - I havent had time to really dig and look around…) It seems similar to Wheresspot, but perhaps more for people just starting out in filmmaking and production…

    I discovered Trigger Street on Digg - Trigger TV’s podcast, The Reality of Professional Oscar Predictions: not so good. had been dugg. I enjoyed the show, so I checked out Trigger Street further and eventually registered a user account.

    Here is my Trigger Street Profile

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    update 4/22/2008 | added map | original timestamp: February 28, 2008 at 12:32


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    links for 2008-04-22

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    Bloglines Post

    location scouting resources and a del.icio.us social bookmarking primer

    By locationscout (me)

    Location scouts, location managers and interested parties in the film, tv, video and photo production industries are encouraged to check out and perhaps participate in and contribute to the online film production community via some of the following websites and forums (in no particular order):

    locationtalk

    google groups:

    alt.tv.commercials

    rec.arts.movies.production

    rec.video.production

    flickr/locationscouting

    zimbio- location scouting (I started this group)

    ma.gnolia/locationscout (I started this group)

    locationscout linkit (I started this group)

    wheresspot- website (Paid-subscription service)

    The preceding is an excerpt from a post I made on another location scouting blog.”

    read the rest

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      updates

    • 4/21/2006 | added map / feed
    • last timestamp February 14, 2008 at 4:12 pm
    • original timestamp: June 10, 2006 at 4:24 pm

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    NY Moves to Up Tax Incentives For Filming

    NY moves to up tax incentives for filming | WheresSpot | …via NY Times

    “State and county officials, as well as representatives of the film industry, cheered the increase, saying it put New York back in the running with Connecticut, Massachusetts, Rhode Island and other states that had expanded their film incentives. The proposed tax credit would become law when Gov. Paterson signs the budget, which he is expected to do.

    Story here.”

    read more

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    New Jersey Film Office Needs Our Help

    Save Filmmaking in New Jersey

    “Governor Corzine has eliminated funding for the New Jersey State Film Commission starting July 1st 2008.

    That means they will no longer exist after that date.

    Beginning June 30 2008, The Government of the State of New Jersey has decided to eliminate The New Jersey Motion Picture & Television Commission from the state budget -

    Filming in the state of New Jersey generated $92 Million dollars last year, money spent to employ New Jersey residents, as well as purchase goods and services from New Jersey businesses.”

    read the rest

    There are often HUGE misconceptions about the purpose and scope of a film office - when someone, especially perhaps a person not directly involved in the production industry (please note that word - “industry”) - hears that phrase, “film commission”, their knee-jerk reaction might be, “oh, that’s lovely - a department for the arts”… and the conventional school of thought might be, “oh, that’s lovely, but if state funds are scarce….”

    Guess again. The New Jersey Film Commission is about economic development.

    Filming in the state of New Jersey generated $92 Million dollars last year, money spent to employ New Jersey residents, as well as purchase goods and services from New Jersey businesses.”

    That ain’t chump change.

    Filmmaking is a clean industry as well - you won’t have a movie come in and find out later they left heavy metal deposits in the ground water.

    Please contact The New Jersey Motion Picture & Television Commission today and find out how you can help save this invaluable economic resource from misguided legislative actions at New Jersey state government levels:

    New Jersey Motion Picture & Television Commission
    153 Halsey Street - 5th Floor
    P.O. Box 47023
    Newark, New Jersey 07101
    Phone: 973-648-6279
    Fax: 973-648-7350
    Email: njfilm@njfilm.org
    Web: http://www.njfilm.org

    cURL error 6: Couldn’t resolve host ‘www.savenewjerseyfilm.com’

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    NYPG

    NYPG (New York Production Guide) On-Line Resource

    “With vital information in all areas of industry standardized AICP (Association of Independendent Commercial Producers) bid form, film and videotape production information is now more accessible allowing for thorough and professional research, estimating, pre-production, and post-production.”

    read more

  • nyc.locationscout.us / R. Richard Hobbs listing at NYPG
  • other NYPG content on nyc.locationscout.us
  • cURL error 28: Operation timed out after 10000 milliseconds with 0 bytes received

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    Location Managers Guild of America

    Location Managers Guild of America | Who We Are

    “Location Managers and Scouts are vital members of the design team for film, television, commercials, music videos and print advertising.

    Our primary job is to find the settings that best represent the visual concept of the Producer, Director and Production Designer.”

    read the rest

    The Hollywood Reporter’s Entertainment Industry Columns - Entertainment Industry Articles - Entertainment Business Columns and Articles: Location Guild Puts Scouts on the Map (offline) | By Borys Kit | Feb. 01, 2006

    “The Location Managers Guild of America will enter its third year in the spring, and while the youngest guild in town is still learning how to walk, it has taken sure-footed steps toward becoming a serious professional organization.”

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    Shoot Online

    Shoot Online is a trade journal and one of the tv commercial production industry’s “bibles”. (…also Adweek and Advertising Age - also Wheresspot - Prisoners of Advertising)

    From Shoot’s “About Us” page:

    “To Connect” is an overriding theme and an enduring tradition at SHOOT. SHOOT’s unwavering mission for 46 years has been to serve the news and information needs of creative and production decision-makers at ad agencies, and executives & artisans in the production industry.”

    read more

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    Lessons From the Music Industry?

    I present for your consideration:

    Seth Godin’s Blog | Music Lessons | …via PhotoMatt

    “Things you can learn from the music business (as it falls apart)

    The first rule is so important, it’s rule 0:

    0. The new thing is never as good as the old thing, at least right now.
    Soon, the new thing will be better than the old thing will be. But if you wait until then, it’s going to be too late. Feel free to wax nostalgic about the old thing, but don’t fool yourself into believing it’s going to be here forever. It won’t.”

    read more

    Several points raised:

    “0. The new thing is never as good as the old thing, at least right now.”

    “1. Past performance is no guarantee of future success

    “2. Copy protection in a digital age is a pipe dream

    Read the rest…

    About Seth Godin

    Seth Godin:

  • writes the most popular marketing blog in the world;
  • is the author of the bestselling marketing books
    of the last decade;
  • speaks to large groups on marketing, new media and what’s next;
  • and is the founder of Squidoo.com, a fast-growing recommendation website….
  • …You can read his wikipedia bio, reviews of his seminars and what Google thinks of him.”

    read more

    feed Seth’s Blog
    • What should I do on your birthday? | Saturday, 4 July 2009, 4:37 am
      On July 4, birthday of the USA, we’re supposed to blow off fireworks, eat hot dogs and buy a Chevrolet. On Columbus Day, birthday of an early imperial. […]
    • What to do with special requests | Friday, 3 July 2009, 5:20 am
      The bike shop is busy in June. If you bring your bike in for a tune up, it will cost $39 and take a week. A week! What if someone says, “I have a bike. […]
    • The purpose of a book cover | Thursday, 2 July 2009, 6:11 am
      (and I think it works for lots of products) Is the purpose of the cover to sell books, to accurately describe what’s in the book, or to tee up the rea. […]

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    WGA Writers Strike 2007 - 2008

    Note: The author is a freelance film / photo location scout and location manager and is neither a member of AMPTP or WGA. Any of the opinions expressed are those of R. Richard Hobbs.

    Been missing the latest episodes of your favorite sitcom lately? Got left sitting on the edge of your seat wondering what happenned next on that tv drama you really like? Tired of watching reruns of late night talk shows (except for Letterman - and maybe the Tonight Show- but only as of this week…)

    Any of the above could likely be due to the the ongoing WGA Writers Strike, which began November 5th, 2007. The two primary organizations involved in this dispute are The Writers Guild of America (WGA) and The Alliance of Motion Picture & Television Producers (AMPTP).

    The WGA supplies writers to the AMPTP, who’s members produce the majority of network television shows and major feature films.

    The WGA is a guild. The AMPTP is a trade association.

    The last contract between the WGA and the AMPTP expired last fall and the reasons for the strike involves what the WGA feels are unresolved issues in the new, pending contract (obviously a large amount of detail, discussion and info…), but are largely with regard to compensation to the writers from income to the producers from new media and distribution, i.e. internet and other electronic / digital media.

    If you follow the many sources of news and information about the strike including entertainment industry and production trade publications such Variety and The Hollywood Reporter (Wikipedia has a good overview of the strike as well), you may find the matter is very involved and complicated. This strike involves major organizations and hundreds of millions of dollars are at stake. Each side has teams of lawyers and representatives and at least one party has hired a public relations firm.

    Conventional thinking might suggest that if two parties in question cant seem to agree, then an expeditious solution might be to enlist the services of a knowledgeable, but impartial third party to be a mediator or arbitrator, however, at this writing, one or neither of the WGA and AMPTP appear willing to allow the matter to be solved in this manner and there is no law prohibiting the strike since the strike (arguably ;-) does not affect “necessity services”, i.e. public transportation, utilities, etc.

    While I am sure, at the bottom of it all, (except for maybe the lawyers? ;-) everyone would like to see this strike settled as soon as possible altho it also appears to be a wrestling match as well; my bet is, sadly, that the settlement comes down to whichever of the two organizations has the deeper pockets. The settlement of a situation such as this potentially has far reaching effects for both parties as a group and the lack of same adversely affects related industries… on a more personal level the situation I think a lot of people really want to get back to work … so complicated…

    In the meantime, from a selfish point of view, while I am not a a laid-off staff from a show (I am a “non-union” freelance location scout, location manager and photo shoot producer) or currently a crew member on involuntary hiatus from a feature film; overall, there is currently less work for everybody and more people potentially looking to do whatever work might avail itself, so while I am not “directly” affected, a situation such as exists does, in fact affect me, so I just wish we could all just “get back to work”!

    AMPTP

    View Larger Map of AMPTP

    WGA

    View Larger Map of Writers Guild of America

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    Shoot Online Publicity Wire

    Shoot Online has recently announced its Publicity Wire Service.

    “The SHOOT Publicity Wire offers PR, marketing professionals, and entrepreneurs a powerful tool to communicate to a hard-to-reach vertical market comprised of news agencies, search engines, journalists, industry publications, customers, prospects, and influential industry decision-makers in the advertising, broadband, filmmaking, and television production and postproduction industries.”

    read more

    The $49.95 (introductory rate thru April 30th, 2008) price per release seems very reasonable.

    This new service seems similar to PRWeb (which I have used) and other online press release services, however, an advantage for production industry related news could be Shoot’s close affiliation with the production industry itself.

    feed SHOOTonline.com

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    Lightbox-NY

    Mark McKennon and I recently had the opportunity to tour Lightbox-NY, a 10,000 sf rental studio / industrial location in the Bronx, on Barretto Street, in the Hunts Point area, in the building complex I have always known the Bronx Apparel Center.

    Lightbox-NY opened this past year and is owned and operated by local NYC location scouting legends David Appleson and Carl Bellavia.

    The space is unique in that it fills (at least a part of…) a current shortage of shoot-ready industrial aesthetic film locations in the New York City area. The space features a “raw” industrial interior with large, factory-typical windows and skylights as well as an accessible rooftop which includes a unique graphic element of the skylight’s shapes and the Bronx as a cityscape backdrop. Additionally, Lightbox-NY provides 10,000 sf more of production-wired raw studio space with potential for use as a propped, built-set sound stage for the local film production market.

    Best wishes and good luck to David and Carl on their venture and hopes we might have an opportunity to shoot at their space sometime soon! -RH

    Lightbox-NY - 841 Barretto St, Bronx, NY - 718-759-6419

    Lightbox-NY interior

    Lightbox-NY exterior - roof

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    CT Film Commissioner Suspended

    This interesting newspaper editorial article came my way via my email inbox via The Hartford Courant and Google Alerts wherein the Courant calls on the Connecticut Commission on Culture and Tourism to clarify its placing Film Commissioner Heidi Hamilton effective August 21st.

    The problem seems to involve questions of internal policy matters at CT state government levels and I would presume (or would at least hope) that the matter is under review by an authority in the CT state government in a position to decide who followed or mis-followed policy.

    In the meantime, tho I have not personally dealt with the CT Film Office lately, Ms. Hamilton is likely sorely missed by the film production industry specifically with regard to productions with potential to film in CT.

    Ms. Hamilton has been very innovative in attracting new film production business to the state by way of considerable tax breaks and other film office services available to filmmakers.

    -RH


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    Excellent Article About Filmmaking in New Jersey

    Entertainment Law In New Jersey: A Century Of Supporting The Motion Picture Industry

    The article is a couple of years old at this point (how did I miss this?) and takes a bit of a “lawyerly” tack at times, but New Jersey Film Office Staff Member Steven Gorelick gives a star performance as interviewee espousing the history of and importance of filmaking to our culture and economy in New Jersey.

    “Editor: How is the New Jersey Film Commission helping independent filmmakers get their start?

    Gorelick: You’d be surprised how many films at Sundance are from New Jersey. Garden State was a hit this year at Sundance. Clerks and Kevin Smith’s other works have also been well received. Two Family House , which won at Sundance, was filmed in Bayonne and many other films in the competition were shot here. It’s amazing the percentage of Sundance winners and Sundance entrants that are made in New Jersey. The Station Agent won two years ago.”

    read more

    note: above quote snippet taken from interview conducted and published in 2004

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    Montclair State University Film Students Seeking Summer Internships

    Professor Tony Pemberton, from the Montclair State University Film School, Montclair, NJ recently contacted me requesting assistance placing his film students in intern positions during the coming summer months.

    If you are a bona fide film production company or other relevant film or broadcast industry professional and there is room in your organization to help a film student gain some valuable industry experience please contact Professor Pemberton.

    -RH

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    Interviewed By WCBS-TV (NYC) Re: Orangetown, NY Filming Fees

    I was interviewed last week by New York, NY CBS affiliate WCBS-TV, for a video news article entitled Hollywood Being Priced Out of 1 Upscale Rockland County Town that ran on the Thursday, April 12th 11pm Newscast and in extended form the following morning on the Morning News regarding a situation in Orangetown Township, NY whereby the town has initiated a $500 per hour fine for film crews present before 7a.m. or after sunset.

    As I said on camera, Orangetown’s fees are exorbitant. I could never recommend sending a film crew to Orangetown under these circumstances. Film makers are not fools and contrary what many casual observers seem to think from what they may have seen on Entertainment Tonight, the production side of film and tv are not about burning thru money as fast as you can throw it on a fire, which is about what Orangetown’s fees amount to.

    Directors Guild of America (DGA) publication on the subject of runaway film production

    Evidently, at some time or another, someone was inconvenienced by production vehicle traffic (I am told it is one individual in particular and a review of town meeting minutes on the town website reflects a couple of instances where the same few specific residents made complaints about filming activities). The Town Supervisor, Thom Kleiner was quoted as saying they were inconvenienced by truck traffic.

    The majority of film productions are very willing to work to with local residents as well as local government and law enforcement to facilitate conditions with every one’s best interests in mind. It seems like something cumulatively seriously fell thru the cracks in Orangetown.

    It just doesn’t seem to all add up.

    Time lost by residents due to occasional temporary neighborhood film-production traffic delays: 15 minutes?

    Time spent preparing for and attending town meetings to complain: hours?

    What’s sad is the town has cow-towed to these several misguided and selfish individuals. The many positive effects that film production has on a local community seems to be lost on this bunch.

    Film production brings business to town. If there is a crew shooting they are likely putting people in hotels, eating in local resturants and using local caterers, shopping at local retailers and spending money with any number of other local businesses, not to mention owners of property used for locations who could be banking several mortgage payments in fees when their properties get utilised by production even just short-term.

    Film production is a decent-size industry which accounts for around $5 billion a year New York City alone. In fact, contrary to popular belief, the local film offices exist not primarily as arts and cultural entities but rather as offices of economic development and the New York State Film Office and New York City Mayors Office of Film, Theater and Broadcast (MOFTB) are very active at their respective government levels to create tax incentives to attract film makers. A study of effects of New York City’s recent Made in New York Incentive reflects dramatic annual shoot day increases over the past several years which translates to a more than $3 billion increase in city revenue from film production. Tax incentives have shown to generate 30%+ returns, or, every tax dollar waived, have resulted in $1.34 in increased overall revenue.

    The New York State Film Office and NYC MOFTB have both worked long and hard to attract filming to the state and greater NYC metro area, so, a town like Orangetown is, for all intents and purposes, shooting the film offices (as well as their own local economic development) in the foot.

  • New York State Tax Incentives For Film Production
  • New York City Tax Incentives For Film Production
  • New Jersey State Tax Incentives For Film Production
  • Connecticut State Tax Incentives For Film Production
  • Complete list of U.S. State’s film industry tax incentive programs (January 2007)
  • Film Production is clean. You dont have to worry about cleaning up the ground water after a film company leaves town.

    There is no doubt that for most people, being able to say that you have had a movie made in your town brings a sense of pride and most find experiencing the process to be fun and exciting.

    An active local film/arts community does a lot to raise the cultural level of any town or city.

    C’mon Orangetown, wake up and smell the coffee!

    RH | GeoURL | NAC | Plazes | Dipity | outside.in | Mapufacture | Post Map


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    New York State Filming / TV Incentives Kick In: Commercials Up Next?

    Shoot Magazine (print edition) | or Seeking Deja Vu: N.Y. Looks To Fuel Spot Business (subscription required) | Commercial-making Incentives Hope To Mirror Success of N.Y. Feature Film / Television Program Tax Credits | By Robert Goldrich

    “February 23, 2007 — For Alan Suna, co-owner of Long Island City-headquartered Silvercup Studios, a New York stage facility mainstay, the success of the TV series pilot filming season bodes well for spot production in the Big Apple. Just as the upsurge in film and TV lensing, including pilots, has increased dramatically since New York’s feature/TV tax credits…”

    Tax incentive legislation enacted in New York at the state level beginning 2004-2005 has increased feature film and tv production significantly, but initially, somehow, the tv spot end of the industry was left out.

    All that is about to change, thanks to new tax incentives that include commercial production as well.

    On a local level, the New York City Mayor’s Office of Film, Theater and Broadcast’s (MOFTB)Made in New York” program, which includes tax incentives, a concierge service as well as additional vendor discounts and other perks has increased film production volume dramatically over the past two years, attracting $2.4 billion in new production business including a record number of tv pilots. Like the state’s original program, the city’s current tax incentives only include films and tv shows, however, the Mayor’s Office and New York City Council are presently considering a companion program to New York State’s new program that includes commercial production.

    For all of us in the film production business, including location scouts and location managers, ANY program, especially a tax incentive program that, according to figures per current programs in place quoted in the Shoot Online article generates $1.34 in increased overall income per $1.00 in tax incentives and generates new, increased business= a good thing! The overall local economy benefits as well, as film production relies on a myriad of local vendors not neccesarily always linked directly just to film production, including many areas of the hotel and hospitality industries and as “everyday” as hardware/building supplies, car services, dry cleaning and general retail to name just a few.

    Specifically regarding film location services, local property owners and the real estate industry benefit and in the case of studio filming there are benefits as additional studio space is leased to accommodate increased filming. The aforementioned Shoot article also quotes SilverCup Studios (Long Island City, NY) co-owner Alan Suna reporting that business volume has been sufficent enough for Silvercup to open SilverCup East and plans are in the works to open SilverCup west on the east bank of the East River in Long Island City. SilverCup is one the the New York City area’s largest film studio/sound stage businesses, regularly hosting studio shoots for many major motion pictures, television programs and commercials.

    Complete list of U.S. State’s film industry tax incentive programs (January 2007)

    feed SHOOTonline.com

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    Performers, Unions and Advertising Industry Tentatively Agree

    Performers’ Unions and Advertising Industry Tentatively Agree on Two-Year Extension of Commercials Contracts
    “Joint Study to be Conducted Over Next Two Years

    New York and Los Angeles (August 4, 2006) – Screen Actors Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA) and the advertising industry’s ANA/AAAA Joint Policy Committee on Broadcast Talent Union Relations (JPC) today announced a tentative agreement on a two-year extension to the Commercials Contracts that cover advertisements appearing on TV, radio, the Internet and new media, that would run through October 29, 2008. The extension agreement must now be ratified by both unions’ joint national board and approved by both union memberships through a joint referendum, as well as approved by the boards of both ANA and AAAA.”

    By way of Wheresspot and AdCritic

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    NJ Offering Financial Incentives For Filmmakers

    From the New Jersey State Film Commission:

    New Jersey currently offers these financial incentives to filmmakers, and the US Government has an incentive program as well:

    20% TAX CREDIT PROGRAM

    New Jersey offers a tax credit in an amount equal to 20% of qualified production expenses, available to production companies meeting certain criteria, chiefly:

    (1) At least 60% of the total expenses of a project, exclusive of post-production costs, will be incurred for services performed and goods used or consumed in New Jersey

    (2) Principal photography of a project commences within 150 days after the approval of the application for the credit

  • NEW JERSEY FILM TAX PROCESS GUIDELINES
  • PRINTABLE APPLICATION FOR NEW JERSEY FILM TAX CREDIT (IN ADOBE PDF FORMAT)
  • EXEMPTION FROM NEW JERSEY’S 6% SALES TAX

    Certain tangible property used directly and primarily in the production of films and television programs is exempt from New Jersey’s 6% sales tax. This tangible property includes the purchase of replacement parts for machinery, tools and other supplies, the purchase of lumber and hardware to build sets, the rental of picture cars, the purchase or rental of other types of props, and costs related to the repair of camera and lighting equipment. To view the entire law, click here:

  • LAW GRANTING FILMMAKERS SPECIAL EXEMPTION FROM 6% STATE SALES TAX
  • EXEMPT USE CERTIFICATE (FORM ST-4) AND INSTRUCTIONS
  • THE NEW JERSEY FILM PRODUCTION ASSISTANCE PROGRAM

    The Film Production Assistance Program allows film projects to be eligible for loan guarantees through the New Jersey Economic Development Authority. Guaranteeing a portion of loans made by other lenders encourages these lenders to finance projects they might not ordinarily finance on their own.
    Loan guarantees cannot exceed 30% of the bank financing cost of the project, or $1.5 million, whichever is less.

    Until now, most film industry projects did not meet EDA eligibility requirements because the jobs they created were temporary. The new law expands the criteria for the EDA’s loan guarantee program so qualifying film production companies can participate.

    The legislation sets important criteria for eligibility:
    - At least one-half of material and production costs must be spent in New Jersey.
    - At least 70% of shooting days must take place in the state.

    - Prevailing wage must be paid to workers employed in the project to be financed.

    - The project must possess performance bonds.

    Application forms are now available. For additional information, follow the links below:

  • LAW CREATING THE NEW JERSEY FILM PRODUCTION ASSISTANCE PROGRAM
  • PRINTABLE APPLICATION FOR NEW JERSEY FILM PRODUCTION ASSISTANCE PROGRAM
  • (IN ADOBE PDF FORMAT)
  • WEBSITE FOR NEW JERSEY ECONOMIC DEVELOPMENT AUTHORITY
  • NATIONAL TAX INCENTIVE PROGRAM

    The American Jobs Creation Act, signed into law by President George W. Bush on October 22nd, 2004, offers tax breaks to film and television producers.

  • DETAILS ON AMERICAN JOBS CREATION ACT
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    New York Location Scouts to Lose Scouting Tag Priveleges

    MOFTB: Scouting Tag Program Discontinued

    “May 23, 2006- Effective June 30, 2006, the Mayor’s Office of Film, Theatre and Broadcasting will no longer issue production scouting tags and all existing scouting tags will expire. Due to the success of the “Made in NY” tax incentive program, the City has accomplished its goal of attracting increased production business and employment for New Yorkers who work in the entertainment industry. In an effort to balance the needs of production and the communities in which they work, the MOFTB will no longer issue scouting tags. Easing the impact of parking upon neighborhoods will serve to keep locations film friendly, and allow the City to attract even more employment for our local entertainment professionals. The MOFTB will continue to issue tags to essential production vehicles with the shooting permit.”

    Cinematical | NYC Cuts Film Industry Perk | Posted Jun 13th 2006 8:01PM by Christopher Campbell | Filed under: Newsstand

    “Just when the city of New York is enjoying a surge in film production, hopefully cutting down on movies set in NYC but shot in Canada, a new decision is pissing off a lot of people in the movie business.”

    read more

    The Reeler | Tag, You’re Out: NYC Location Scouts’ Parking Perks Revoked | June 13, 2006

    “AM New York’s Chuck Bennett today has the “latest” on the troubles affecting New York’s location scouts, whose liberal, city-sanctioned parking privileges will expire June 30–never to return. The news is kind of old–the Mayor’s Office for Film, Theater and Broadcasting made the announcement May 23–but in case you wanted to hear location scouts bitching on the record, here you go:”

    read more

    http://news.yahoo.com/s/ap/20060614/ap_en_mo/film_scout_parking_2 (dead link) | By SARA KUGLER, Associated Press Writer Tue Jun 13, 8:11 PM ET

    “NEW YORK - Film scouts trolling New York City for its picturesque stoops and street corners won’t be free to park wherever they want now that officials are halting a special parking-permit program.”

    I was interviewed by phone today (but evidently, not quoted by name) by Sara Kugler from WABC-Radio in New York City. Here is some of what we discussed and points I tried to make:

    Looks like we location scouts might be losing our location scouting tag priveleges come July.

    “And what exactly is a location scouting tag privelege?”, you say?

    Well… upon completing a New York City filming permit application at the New York City Mayor’s Office of Film, Theater and Broadcast (MOFTB), requesting scouting tag(s) and approval of MOFTB, location scout(s), (for the duration of time allotted on the permit) have considerable leeway and freedom to park anywhere in the five boros in order to see locations with potential for use in their production.

    This is indeed a gift in a city the size and density of New York. Public parking is scarce at best and fraught with not only arcane parking restrictions, but sometimes those arcane parking restrictions are obscured further by the fact that the parking signs that contain those arcane parking restrictiction are, in fact, often absent, whether it be by theft/vandalism, perhaps having been in a spot where an auto accident occurred… there are a lot of reasons a parking sign could be missing in a town the size of NYC.

    The location scouting tag basically gives you the privelege to park wherever you can (with the intention of performing your duties as a location scout), provided you dont place human life in jeopardy (i.e. obvious no-no’s like parking in front of a firehouse driveway, or in an ambulance exitway) and be immune to the city’s ubiquitous “Brownies” (NYPD Traffic Enforcement) and the quite pricy parking citations they are employed to hand out (the last parking ticket I got some years back cost something like $85). If you receive a ticket, you turn it in with your scouting tag- it goes away.

    Doctors and foreign diplomats, as well as some members of the press (this could be an incomplete list) are eligible for many of these same priveleges.

    Alas, reports of abuses as well as the fact (per the excerpted article above) that the city has achieved its filming incentive goals combined with the undebatable fact that parking in New York is scarce in the first place may spell the end to scouting tag priveleges for NYC location scouts.

    I had a scouting tag once; I was working on a feature film, 9A several years go. The shooting schedule was tight, we were facing significant challenges regarding fulfilling locations required by the script, including scouting for night shots (at night) in what most would consider “less than desirable” parts of town; the scouting tag helped. A lot.

    Another argument for continuing the scouting tag privelege in NYC:

    New York is a world-class city. Some of the world’s most famous films (including tv shows, commercials, videos and photgraphs) have been made in NYC.

    As a location scout, one of the reasons you live in the NYC area is to have an opportunity to work on projects of this caliber.

    It is not unreal to assume that you could, in fact, find yourself driving around NYC (showing locations) in the same car together with an Oscar-winning director or acclaimed director of photography, a producer you just read about in a tabloid and a bazillion-dollar net-worth executive producer or financier, with the power between them to give the nod or say no to bringing $100 million or more in jobs or business to the city. (This is “economic development”. It’s good for cities. Production is good at that. And production doesnt pollute the air and water.) Anyway, I am sure you can see the motivation to let these people feel special and get their jobs done quickly and easily.

    In contrast, the film industry has changed a lot in the past few years, nowadays, there are hundreds, if not thousands, of smaller budget films in production in New York each year, thanks to the advent of the internet and digital imaging, which have effectively taken content distribution out of the hands of a few big-money players and put it into the hands of anyone with a passion to tell a story and can afford a camera, a crew, talent and their locations. Individually, these types of productions dont always spend that much, but as the sum of the parts, this group represents a sizable chunk of change in New York’s annual production income. It is this group that will be most affected by the scouting tag change, as they will have to figure into their budgets that their scouts will either have to pay for parking or for parking tickets. New York is already a fairly expensive town just to exist in, period; discontinuing the location scouting tag privelege could be one of many ways that production might have an incentive to go elsewhere. This is what is known as “runaway production”

    It’s a couple of more weeks till the scouting tag priveleges are scheduled to go away. It’s been good.

    RH | GeoURL | NAC | Plazes | Dipity | outside.in | Mapufacture | Post Map


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    Location Scouting

    GO FOR RESOURCES: Location Scouting | by Scott T.S. Trimble

    “The Location Managers fill important creative and logistical roles on motion pictures, TV shows, and commercials. They work for the Director and Production Designer in that they are partly responsible for the look of the movie through their role in scouting the filming locations, but, at the same time, they also work for the Producers and Production Manager in that they need to organize everything that needs to be done to actually film at those locations.”

    read more

    Scott Trimble is an L.A. based location scout who is well-known to many of us in the film location services industry.

    Scott’s Go For Locations website has a number of helpful sections, including a resource page that will help answer a lot of questions someone considering entering the locations department sector of the film production industry might have.

    This article may also be helpful to a client or producer that has not previously worked with locations personnel to understand what they might be able to expect in terms of services provided by a location scout or location manager and the methods location scouts use to perform their duties.

    On my own website, nyc.locationscout.us, there are a number of FAQS that also attempt to answer some of the questions a client, producer, property owner, or someone considering a career as a location scout might ask.

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    Association of Film Commissioners International

    Not everybody knows about the Association of Film Commissioners International …or even what a film commission (or film office) is. ;-)

    A film commission (or film office) is a bureau or office set up by (or perhaps in partnership wth) a local government by a group of interested parties to facilitate promoting their area for use by various visual arts industries, which could include film, video / television and photography, as well as many peripheral related industries which could involve theater, radio, music, professional talent (actors, models), hotels and hospitality- even the local dry cleaners! For the sake of brevity for the rest of this article lets just say “filmmaking” or “film industry“.

    The obvious main reasons for attracting filmmaking are for local economic development and general promotion of the arts. Convential wisdom dictates that the more money changing hands with more hands (economy) the better off the community is and prevalence of the arts in any community makes that community generally more “livable“.

    In addition to a being considered a relatively environmentally “clean” industry, filmmaking normally requires considerable local support from many other peripheral industries and businesses to function, as well being “people intensive”, thus creating local jobs and business opportunities.

    There is simply no better way to showcase a community than for the world to to “see it in pictures“.

    The best way for a local film office to promote filmmaking is to do everything it can to streamline the production process for filmmakers, so the more working knowledge a film office has of typical challenges productions face, the more effective the film office can be in making their area attractive to filmmakers.

    There are a number of ways for film offices to help production; some of the more easily recognisable ways might be:

  • Creating financial incentives such as tax breaks and negotiating discounts with local businesses.
  • Advocating cooperation by local government and law enforcement as well as local business and individuals.
  • Assisting in hands-on aspects of production coordination such as determining availability of and assisting in procurement of local crew, talent, (which could involve interaction with unions) equipment specific to filmmaking, locations, transportation and local amenities.
  • I hope all this gives you some idea of what business an article about film commissions has being on a location scouting website (this *is* a location scouting website, after all ;-).

    More specifically, if you are a property owner, if you are interested in having your property used for filming, besides local location scouts, (more prevalent locally in larger metro areas) your local or state film office(s) can assist you in promoting your property to filmmakers.

    For production folks, a local film office should be one of your first calls when researching or when you are in the early planning stages for a project. Local film offices are an all-too-often overlooked, generally free, resource.

    Association of Film Commissioners International exists to provide communication and exchanges of ideas between film commissions worldwide and as such is a very good resource for finding and contacting same.

    RH | GeoURL | NAC | Plazes | Dipity | outside.in | Mapufacture | Post Map


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    Creative Planet Websites

    The Creative Planet websites are the online version of all those niche trade magazines you always can never resist subscribing to (free for qualified subscribers!) and often wonder what you were thinking as six months of “Widgets Monthly” piles up unread; the upside of the online versions (if you can stay your trembling hand from subscribing by email) is you can stay up to speed on your own time on the latest technologies (yup, lot-o industrial/gear/tech press releases) online -and no trees died for your sins:

  • MAGAZINES
    carsound.com
    dcinematography.com
    governmentvideo.com
    medialinenews.com
    prosoundnews.com
    rentalandstaging.com
    resmagonline.com
    sportstvproduction.com
    systemscontractor.com
    surroundpro.com
    televisionbroadcast.com
    videography.com
  • NEWSWIRES
    AVWorshipSystems.com
    LivefromNAB.com
    LivefromNSCA.com
    LivefromCedia.com
    LivefromInfocomm.com
    WhatsnewatNAB.com
  • CREATIVE PLANET COMMUNITIES
    2-pop.com
    cinematographer.com
    designinmotion.com
    dcinematography.com
    directorsworld.com
    dv.com
    editorsnet.com
    governmentvideo.com
    hdvroadshow.com
    postindustry.com
    vfxpro.com
    televisionbroadcast.com
    videography.com
  • MUSICPLAYER
    musicplayer.com
    guitarplayer.com
    bassplayer.com
    dv.com
    keyboardmag.com
    eqmag.com
    backbeatbooks.com
  • EVENTS
    GVExpo
    Digital Media DC
    DV Expo
    Surround Expo
    Entertainment Media Expo
    DVD Entertainment Conference
    HDV Roadshow
  • SUBSCRIPTIONS
    Digital Cinematography
    Government Video
    Medialine
    Pro Sound News
    Rental & Staging Systems
    Residential Systems
    Sports TV
    Surround Professional
    Systems Contractor
    Television Broadcast
    Videography
  • Feeds are available, but as far as I can tell only on the The Creative Planet websites, I wasnt able to find any links to subscribe to the feeds. It would be really nice if these feeds were rss-enabled on the public side; If they were, if you had the tech where-with-all to have (and have figured out how to use) a newsreader, subscribing to feeds to my mind is inherently a lot less painful than an email subscription when you just feel information-overloaded or grow loathe of whatever content you may have happenned to have subscribed to. A lot less potential privacy issues as well, altho admittedly a company such as CMP Media (parent of The Creative Planet websites) is by nature in the business of selling advertising based on aggregation of market research and demographics data, which is probably their reason for not offering up anonymous feed subscriptions. Just seems oh-so-old-school…oh well.

    On the proverbial flip side of the burger, if you are a business in a related field, companies like CMP can provide an important outlet for announcements of newsworthy events or innovations that involve your business. As depressing as all those back issues of WidgetWorld can look piling up on your commode tank, the fact is that journalists rely on these types of periodicals and the data contained therein for background and research. You want to be sure there is plenty of positive hype about your ground-breaking widget in FindArticles as well as (obviously) on Google and Yahoo.

    I personally also like PRWeb, and also NewsisFree for driving people crazy with announcements of my latest bits of news of widget of the month ;-)

    About Creative Planet Communities

    “Founded in 1997, the Creative Planet Communities, a division of NewBay Media LLC, offers online resources for the film and television production professional. Updated daily, the CPC sites offer news, articles and discussions forums for the creative community. The company’s network of sites includes 2-pop.com, VFXPro.com, Cinematographer.com, Videography.com, DCinematography.com and DesigninMotion.com.”

    read more

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