Tag Archive for 'crews'

Everybody Play Nice

Wicked Local | North Andover (MA) Citizen | Fun | Entertainment | Arts | Quiet on the set! | Hollywood invasion not popular with some North Andover residents | By Sally Applegate / Correspondent | Thu Sep 04, 2008, 01:15 PM EDT

NORTH ANDOVER - Ever wondered what it would be like to have Hollywood at your doorstep? Sound exciting? Well for some of the residents of Marion Drive in North Andover, the nearly month-long invasion of the cast and crew of the low-budget drama “Don McKay” by writer/director Jake Goldberger has not been all that pleasant.”

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Palo Pinto County, TX Locations

Lake Country Sun | Palo Pinto, home of film makers? | Thursday, July 31, 2008 | …via Google Alerts

“It would seem that Palo Pinto County has a lot to offer film makers.

Since October, there have been at least three, perhaps four, crews that visited the area to shoot scenes for some type of movie or the other.”

read more

  • Texas Film Commission
  • feed Yahoo! Search: Palo Pinto County TX
    • Palo Pinto County, Texas |
      Welcome to Palo Pinto County, Texas … Palo Pinto County’s Special Funds Budget Fiscal Year 2009. Mon, 9/22/08. Palo Pinto County’s Approved Budget F. […]
    • Palo Pinto County, Texas - Wikipedia, the free encyclopedia |
      Palo Pinto County, Texas. From Wikipedia, the free encyclopedia. Jump to: … Historic Palo Pinto County materials hosted by the Portal to Texas Histo. […]
    • Palo Pinto County - County Clerk |
      Welcome to Palo Pinto County, Texas … Palo Pinto, TX 76484. Phone: 940-659-1219. Fax: 940-659-2289 … Palo Pinto County’s ISD …

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    Colombian Film Commission

    Colombia Film Commission (Comision Filmica Colombiana)

    The Colombian Film Commission is eager to facilitate the support large and small crews need to successfully bring any project to life.

    Colombia’s policy on filmmaking has enabled the industry to jump from one or two films a year in the nineties, to almost 30 recently released or in the pipeline in the last couple of years. And, with insurance easier to obtain, foreign filmmakers are returning as well.”

    read more

  • Locations
  • Production Guide
  • Promotional Videos
  • Cartagena Film Festival
  • Colombian Film Commission Page at Association of Film Commissioners International (AFCI)
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    Your Property As a Film / Photo / Video Location

    …or… A New York Times Article Every Film Potential Location Property Owner Should Read

    …via Mark McKennon

    NY Times | Lights! Camera! Ka-Ching! | By VIVIAN S. TOY | Published: July 20, 2008

    “NEW YORKERS love to complain about television or film crews that descend on their neighborhoods, gobbling up parking spaces, crowding the sidewalks and generally disrupting daily life.

    But some people aren’t complaining. They are the ones who are renting their apartments and houses to those crews, and making $500 to $10,000 a day, depending on the size and duration of a production…”

    “…The movie and television production industry is big business in New York City, generating about $5 billion in the local economy each year, according to the Mayor’s Office of Film, Theater and Broadcasting…”

    “…As a final word of caution, Ms. Gordon of AKA Locations said that homeowners often come to the business a bit starry-eyed and that she often tries to lift that veil of fantasy a bit.

    “They need to be prepared to be invaded and not expect to make too much money,” she said. “And once you sign on for it, you have to let go and let it happen, because once you let them into your house, they’re not leaving until they’re finished.”

    read the entire article

  • NY Times Multimedia: Audio Slideshow
  • nyc.locationscout.us Information For Property Owners
  • nyc.locationscout.us FAQS Page
  • feed NYT > Real Estate

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    Featured Locations: Beach and Waterfront Houses

    It is summer and I have been receiving a number of requests lately for beach and waterfront houses, so I have pulled a number of beach house locations from my location files an added them to a beach houses album on Locamundo:

    Beach Houses Location Album
    locations-beach houses

    Beach Houses Location Album

    These are beach houses, ocean-front and bay-front houses of many diverse types and architectural styles, located all over the New York City Tri-State area - Jersey Shore, Long Island, Hamptons and the Connecticut Shore; in the album look for the town and a short description of the style of the house.

    Location Scouting Notes:

  • Not all houses shown “own” the beach they are near, this in fact would be the exception rather than the rule, and since a private beach is a considerable real estate asset, rates for use of houses with private beaches could be reflected accordingly.
  • Beach towns and other waterfront recreational communities exist primarily for the leisure pleasure of their residents which provide much in the way of economic development and most attempt to create a pastoral, peaceful ambience, however, in the northeast U.S., some of the population density and traffic congestion from the cities and adjacent suburban areas is transferred to vacation / recreation areas during the summer months (specifically between Memorial Day and Labor Day) and can strain local vehicular traffic control, local law enforcement and local government resources in general. That said, there may be restrictions in place by towns in popular beach, other waterfront and get-away areas or there may be permits and permit fee requirements for shooting in these towns. You should check with local government (i.e. Town Clerk’s Office / Police Department) in any municipal area in which a location under consideration for use as a location may be located to find out if filming and / or photography is allowed and if there are restricted areas. A measure of common sense is in order; be realistic about what levels of impact or disruption your production vehicles or set and crew may have on traffic patterns or day-to-day life during peak times and discuss your needs with local authorities to find out if agreements can be made to accommodate all. City, County, State and National Parks may have also have restrictions with regard to areas available for filming during peak periods. Just about all have permit requirements, altho the fees can be very reasonable *if* the areas needed are, in fact available. Most, if not all have restrictions regarding filming on weekends, when the utilization of park resources are likely to be highest by the general public.
  • More remote locations with lower utilization of resources by the general public are more apt to be receptive to hosting film / video or photo shoots during the summer months, however, you must build in increased travel times, crew fees for remote locations (including possible overnight stay-overs) and other considerations into your budget. Private estates with plenty of acreage for shooting and off-street, private parking could be viable options, too, but locations of this type, close to large metro areas, when available, are likely to reflect the convenience and amenities in the fees charged by the property owners. A matter of fact that seems to be oft-overlooked is the owners of leisure / get-away / recreation / vacation properties are likely to want use of their property during the summer months for themselves and availability is likely to revolve around times when the owners have made plans to use their property or a premium rate may be charged to accommodate production during periods planned as “personal” or “quality” time. Accordingly, please be realistic about your budgetary resources when making location enquiries about beachfront / waterfront and other recreation / vacation properties during peak use times. The same could be said of many “public” properties, such as hotels, motels, bed-and-breakfasts; you are advised to plan your production well in advance and should expect to pay premium rates during months of highest demand. The summer is the “bread and butter” time for most hospitality establishments in recreational areas (including restaurants) and they must generate enough income during peak times to see them thru the lean periods such as winter.
  • Other ing notes:

  • Any enquiries regarding availability and rates should be accompanied by our location number and information requested on our Location Request Questionaire.
  • We are available to perform custom file searches, do detailed research as well as provide location scouting and location management services for your production. Please contact us for rates.
  • Other Location Scouting / Production Information

  • FAQS
  • Location Request Questionaire
  • Search Our Locations
  • Location Research Guide
  • Contact Us
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    Wyoming Film Office

    Wyoming Film Office

    “Information about filming in Wyoming including digital location images, regulations/permits and listings of production, support and crew services.”

    read more

  • Directory
  • Locations
  • Tax Incentives
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    links for 2008-06-20

    Susan Peik Location Scout
    Susan Peik Location Scout
    Michelle Latham :: Location Scout
    Michelle Latham :: Location Scout
    Continue reading ‘links for 2008-06-20′


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    Great FAQ Page / Maryland Film Office

    The Maryland Film Office in Baltimore, MD has a wonderful general film production FAQ (Frequently Asked Questions) page - what follows is a small sample of the Q / A contained therein (altho this FAQ is contained within the Maryland Film Office website, many of the questions / answers could apply to just about any locality and all are relevant in some way…) :

  • What does the Maryland Film Office do?
  • How can I have my property used in a film?
  • How can I be an extra in a movie or television show?
  • How can I get a job on a movie crew?
  • read the rest

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    Mandy.com NY - NJ Location Scout Listings

    Location Scouts in USA New York/New Jersey / mandy.com film TV services

    About Mandy.com:

    “Mandy’s International Film & TV Production Directory is published by Lighthouse Internet Ltd.”

    read the rest


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    updated 5/14/2008 | general cleanup / added maps | original timestamp February 10, 2006 at 8:05 pm


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    Creative Directory (Chicago / Midwest)

    Creative Directory

    “The midwest’s leading source for the creative community | Creative Directory Services provides an umbrella site for all aspects of the production community servicing the Midwest”

    read more

    Category Headings of resources (visit Creative Directory for links):

  • Computer / Print / Prepress / Animation / Systems Design
  • Photo / Photographers / Assistant Photographers / Stock Photo / Footage / Images / Photolabs / Service Bureaus / Finishing / Make-Up / Hair Stylist s/ Food Stylists / Home Economists / Photo Stylists / Location Scouts / Sets / Props / Costumes / Stunts / Special Effects / Photo Reps / Illustrator Reps
  • Art / Design / Retouchers
  • Print / Color Separators/ Proofing / Comps / Finishing / Converting / Binding / Direct Mail / Fulfillment / Printers / Promotional Products / Specialty Imprinting
  • Photo / Photolabs / Service Bureaus / Finishing
  • Multimedia / Foreign Language Services / Subtitles / Staging / Exhibits / Trade Shows / Meetings / Location / Sites / Events
  • Film and Video / Production Companies / Studios / Producers / Video / Film Crews / Production Company Reps / Director Reps
  • Audio / Sound and Music Studios / Composers / Sound Design / Music Libraries / SFX / Production Music / Location Recording / Sound
  • Post / Production / Film Laboratories / Captioning / Duplication / Replication / Distribution
  • Equipment / Sales / Rental / Service / Film Stock / Bulk Tape / Recording Media / Teleprompters / Grips / Lighting / Rolling Stock / Studio Rental / Stage Rental / Art Supplies / Photo Supplies
  • Talent / Model Agencies / Performing Talent / Casting / Coaching / Choreographers / Dance Companies / Talent Payment
  • Media / Creative Staffing / Freelance Writers / Marketing Communications / Public Relations / Advertising Agencies / Associations / Organizations / Media Buying / Messenger Services / Business Services / Caterers / Hotels
  • visit Creative Directory

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    links for 2008-05-13


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    California Film Commission

    California Film Commission

    “Welcome to the California Film Commission, your one-stop office for permitting, location assistance and filming resources throughout California. Our moderate weather with 315 sunny days per year and 840 miles of coastline, coupled with the greatest film crews and production facilities in the world makes California home to the entertainment industry.” …read the rest

  • About
  • Free Online Permitting
  • Cinemascout Location Database
  • Regional Film Office Network (pdf)
  • Green Filmmaking
  • California is the largest film production region in the USA (New York State follows as #2!)

    The California Film Commission website is a rich resource for producers, directors, location scouts and location managers - chk it out!

  • Other Film Offices and related content on nyc.locationscout.us
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    Northwest Location Professionals

    Northwest Location Professionals

    “Location Scouts and Managers serving the Pacific Northwest and Beyond | Northwest Location Professionals, Seattle, Washington

    Northwest Location Professionals lists the following location services professionals:

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    links for 2008-05-10


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    Filmmakers Guide

    Filmmakers Guide

    “Filmmakers Guide is a free directory for production companies Actors, Actresses, Art Directors, Audio Technicians, Boom Operators, Camera Crew, Camera Operators- Cranes, Jibs, Camera Operators- Film, Camera Operators- High Definition…”

    read the rest

    Areas of Interest (follow the links on the Filmmakers Guide website sidebar):

  • Crew and Union
  • Digital Format
  • Education and Training
  • Equipment
  • Events
  • Film Festivals
  • Financial and Business Services
  • Organizations and Publications
  • Post Production Companies
  • Production Companies
  • Support Services
  • Talent Services
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    Colorado Production Resource Guide

    The Colorado Production Resource Guide is a comprehensive portal of production resources available around the state of Colorado, produced and presented by the Colorado Film and Video Association:

    About the CFVA

    “The Colorado Film and Video Association (CFVA) is a professional association of film, video, digital media and multimedia professionals. CFVA was formed in July 1982 and now has over 750 members.”

    About the Colorado Production Resource Guide:

    “The Colorado Production Resource Guide (CPRG) is Colorado’s official production directory, put together yearly the by the Colorado Film and Video Association. The CPRG includes names and contact information for hundreds of people and businesses who work in the production industry. If you are involved with video, film or any other aspect of media production, you should be listed in the CPRG.”

    read the rest

      Colorado Production Resource Guide Section Guide Headings:
      * Pre-Production & Development
      * Production Companies
      * Crew
      * Production Equipment / Supplies / Facilities
      * Post Production
      * Location & Specialty Services
      * Support Services
      * Multimedia
      * Film Commissions & Community Profiles

      - Section Index

      - Lister Index

      Colorado Film Commission

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    links for 2008-04-19


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    NY Times: Battle of The Film Tax Incentives

    NY Times | Gone With the Cash: Films Go for the Best Tax Breaks | By Lisa W. Foderaro | Published: March 29, 2008 | White Plains, NY

    Martin Scorsese’s crime drama The Departed may be a paean to the city of Boston, but a number of scenes featuring Leonardo DiCaprio were shot at the county courthouse and library here. It was a surprisingly apt title, since 2007, the year “The Departed” won the Academy Award for Best Picture, was also the year that many film and television shoots departed — for Connecticut.”

    read the rest

    New York State’s 10% vs. neighboring states’ production tax incentives comparison (…via Times article):

  • Connecticut = 30%
  • Massachussetts = 25%
  • New Jersey = 20%
  • note: Pennsylvania offers a 25% max production tax incentive with a state-wide annual cap of $75m per PA Film Office’s Economic Incentives.

    Spoiler:

  • CT is currently biting New York’s (as well as other neighboring states’) heels with aggressive film and production incentives.
  • Flip side:

  • Connecticut as an entire state does not have the diversity of locations or depth of local crew resources as New York City, the lower Hudson Valley, northern NJ or western Long Island
  • Look at the bottom of the Times article for past coverage and related searches
  • filming tax incentives content elsewhere on nyc.locationscout.us
  • Links of likely further resource value:

  • Connecticut Film Office
  • New York State Film Office
  • New York City Mayor’s Office of Film, Theater and Broadcast (MOFTB)
  • Westchester County, NY Film Office
  • Nassau County Long Island Film Office
  • New Jersey Film Commission
  • Massachussetts Film Bureau
  • Pennsylvania State Film Office
  • Hollywood Reporter
  • Variety
  • Shoot Online
  • Internet Movie Database
  • feed Yahoo! Search: film production tax incentives

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    GeoURL + Other Mapping Stuff

    If you are a location scout and you dont know nuthin’ ’bout maps, well then, you aint… well let’s just say you should!

    It hardly seems accidental or coincidental that most location scouts and location managers (as well as many directors, photographers, dp’s, producers and pa’s) seem to have at least just a little bit of that “techy gene” that gravitates them towards stuff like maps, organized data, gadgets, electronics, etc, etc… in any case, maps is useful stuff!

    I mean, isn’t it pretty much assumed that you are real good at finding stuff? Aren’t you the “go-to” person to get your crew to and from a location as expeditiously and safely as possibly?

    You might be a location scout if… ;-)

  • Do you own a GPS? (I do)
  • …how’bout a really good compass? (that too)
  • Do you spend an inordinate amount of time on Google Maps?
  • ...ponder ways to geotag your location scouting photos? …gotta luv FlickrMaphere’s mine
  • …I rest my case…

    …but I digress…

  • Title: The GeoURL ICBM Address Server
  • Webspace: GeoUrl
  • Description: “GeoURL is a location-to-URL reverse directory. This will allow you to find URLs by their proximity to a given location. Find your neighbor’s blog, perhaps, or the web page of the restaurants near you. GeoURL is listing 2,159,636 sites.”
  • Add your site (also see below)
  • Location Resources (pretty good list of online mapping links)
  • GeoURL (yummy GeoURL chicklet for this website)
  • GeoUrl Page for this website
  • I was very surprised to find there was not a Wikipedia page for GeoURL. Short of writing it myself, in the meantime, I have created a request for a GeoURL page to be added to Wikipedia

    Basically, what happens is (using a very useful helper if you need it) you add the supplied metatags to the head (truncated for illustration) section of your homepage*

    *this is admittedly somewhat “techy” stuff here… if you don’t already know, then it is up to you to be motivated enough to read and learn for yourself - read: don’t even think about writing me asking for “internet lessons”

    If you view the source of my home page you will see the following metatags:

    meta name=”ICBM” content=”40.86335, -74.16205″ / (truncated for illustration) (hint: see anything looks just an itty bitty teeny weeny bit like latitude and longitude?)
    meta name=”DC.title” content=”nyc.locationscout.us” / (truncated for illustration) DC.title

    Voila! - that is how GeoURL indexes your website :-)

    If you look on the results page for a GeoURL lookup of this website, you will see quite a bit of useful info:

    “last updated 2008-03-21T11:34:54, created 2006-08-29T00:06:04.
    atom | rss | Google Maps | MultiMap | Mapquest

    …and you will see all the other indexed websites geographically near this website as well. Neat, huh?

    read more

  • One of my other sites, rrhobbs.info, uses a tool called Wikimap that uses GeoURL as well…
  • geotagging content on nyc.locationscout.us (related)
  • Geo (Microformat) (Wikipedia, related)
  • hmm, GeoTwitterous looks interesting (…via Mashable (thx)…
  • I cloned the GeoTwitter Pipe

  • nyc.locationscout.us Mapufacture Map

    Map Room Blog

    “A blog about maps by Jonathan Crowe, The Map Room covers everything from map collecting to the latest in geospatial technology.”

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    • The Web Goes Local | Friday, 3 July 2009, 9:47 am
      Clive Thompson’s piece on location services makes a point I was planning on making in a future piece, damn him, as he looks at how location services. […]
    • New Digital Elevation Model Covers 99 Percent of the Earth | Wednesday, 1 July 2009, 8:43 pm
      A new digital terrain map for the planet is now available. Based on imagery from the Japanese ASTER instrument on NASA’s Terra satellite, the new g. […]
    • Derrick Story on Geotagging | Monday, 29 June 2009, 10:09 pm
      A couple of articles by Derrick Story about geotagging went up on Macworld’s website back in April: one that looks at four automatic methods of geot. […]
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    • Ball State GIS Research and Map Collection | Friday, 26 June 2009, 12:12 pm
      The GIS Research and Map Collection (GRMC) is an integrated GIS lab and traditional map collection located on the second floor of Bracken Library. The. […]
    • GIS Web Maps | Friday, 26 June 2009, 12:11 pm
      Blogging on the current state of GIS & Web mapping applications out on the Interwebs.
    • Geographicus Antique Map Blog | Friday, 26 June 2009, 12:09 pm
      On antique maps and the rare map trade.

    The map below uses GeoPress, which has been mentioned elsewhere on this site.

    feed GeoURL Log
    • Changed server | Wednesday, 30 January 2008, 4:34 am
      Whoops. Earlier this month server that was running the geourl.org webserver started having hick-ups (also known as crashing daily). It would reboot pr. […]
    • GeoURL Reloaded | Saturday, 24 November 2007, 3:31 pm
      Whoot! Excuse the mess, we’re rebuilding. I’ve finally taken some time to clean up the code, optimize some slow paths, implement some new features. Th. […]
    • GeoURL meets Google Maps | Monday, 13 June 2005, 10:28 pm
      Leigh Dodds made a super neat GeoURL to Google Maps converter using the RSS feeds. Thanks Leigh, that’s awesome! :-) Thanks for the suggestions for th. […]

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    Estimating

    As a producer or production coordinator, when asked to estimate production costs for a specific shoot, there are almost always some of the basic line items that have to be covered…

    The following laundry list is presented with the caveat that, every production is uniquely different and can, in fact (and often does) change on the fly. The following should be used ONLY as a very basic jumping off point:

    1. assumes the shoot is for commercial / advertising or editorial / corporate still photo shoot with high production values
    2. local (no overnight travel) location shoot
    3. a. specific in some cases to the New York City area
    4. assumes there is professional talent (models) to be involved
  • Note: Does not attempt to cover photographer’s production fees or photography licensing fees.
  • Rates: Fees vary significantly from market to market - if a stable of familiar crew used on past jobs does not exist, best to call as many qualified candidates as possible and get a range of day - rates.
  • Basic Line Items to Consider:

    • Crew

    1. Producer (you!;-)
    a. PrePro Day(s) (research, crewing, coordination…)
    b. Shoot Day(s)
    c. Strike / Wrap/ Returns Day(s)

    2. Location Scout
    a. Research / File Pull Fees / Clearing / Permitting
    b. Location Scouting - Photography / Organization / Presentation / Storage
    c. Tech Scouting with Photographer / Client
    d. Location Management - on set presence on shoot day

    3. Casting Director
    a. Research / Booking Day(s)
    b. Casting Day(s)

    4. Stylist(s) (Wardrobe / Set / Prop Stylist(s) as appropriate
    a.Research / PrePro / Prep Day(s)
    b. Shopping Day(s)
    c. Shoot Day(s)
    d. Wrap / Strike / Returns Day(s)

    5. Hair and Makeup / Groomer
    a. Shoot Day(s)

    6. Digital Tech
    a. Prep / Research / Rental Equipment Pickup / Returns Day(s)
    b. Shoot Day(s)

    7. Assistants
    7a. First Assistant
    a. Research / PrePro / Rental Equipment Pickup / Returns Day(s)
    b. Shoot Day(s)
    7b. 2nd Assistant
    a. Research / PrePro / Rental Equipment Pickup / Returns Day(s)
    b. Shoot Day(s)
    7c. 3rd / 4th Assistant(s)
    a. Shoot Day(s)
    7d. Stylist Assistant(s)
    a. Research / PrePro / Prep / Shopping Day(s) / Returns Day(s)
    b. Shoot Day(s)
    7e. Casting Assistant(s)
    a. Research / Prep Day(s)
    b. Casting Day(s)

    • Talent
    • Location(s)

    1. Photo Location(s)
    a. Prep / Wrap Day(s)
    b. Shoot Day(s)
    2. Casting Studio
    a. Casting Day(s)
    3. Stylist Prep Space
    a. Prep Day(s)
    4. Talent Holding / Equipment / Prop Staging Space(s)
    a. Prep (Staging) Day(s)
    b. Shoot Day(s)

    • Equipment Rentals

    1. Photo Equipment (often as coordinated btn and specified per photographer / digital tech / assistants)
    a. Cameras
    b. Computers / Accessory Hardware
    c. Lighting / Grip

    2. Stylist / Misc Rentals
    a. Steamer(s) / Clothes Rack(s) / Hangers/ Iron/ Ironing Board/ Tools (some items may be part of kit?)
    b. Folding Tables (as may be needed for equipment / props / wardrobe / catering / client workspace)
    c. Folding Chairs (as may be used by idle crew / talent / client workspace)
    d. Golf / Sun Umbrellas / Folding Canopies / Tent(s) (if outdoors)

    • Props / Wardrobe

    1. Possibilities to be either/ or purchase(s) / rentals. Coordinate with Photographer/ Stylist / Client

    • Set / Prop / Model Construction

    1. Set Building is more often related to a studio shoot but probably worthy of mention / consideration here

    2. Prop or Model / Miniature / Mock-Ups

    • Catering / Food Service / Refreshments
    • Transportation

    1. Motorhome (if needed)
    a. Shoot Day(s)
    2. Equipment Truck(s) / Van(s) Rental
    a. Prep / Pickup PrePro Day(s) (if equipment not delivered by vendor)
    3. Crew Transportation (Cabs / Subways / Auto Rentals as might be used by crew - could be mileage paid if crew owns vehicle)
    a. Photo Asst(s) Equipment Rental Pickup / Return
    b. Stylist / Stylist Asst(s) Shopping / Prep / Returns
    c. Location Scout
    d. Casting Director (i.e. Street Casting)
    e. Talent (especially if location is outside Manhattan)
    4. Trucking and Deliveries / Pickups (if not done by crew as may be appropriate)
    a. Product/ Merch (if not arranged by client)
    b. Equipment (Cameras / Computers / Lighting / Grip)
    b. Props / Wardrobe
    c. Couriers (client / crew production hard copy correspondence as may be appropriate)
    d. Catering Delivery / Pickup (often part of Catering Fee from caterer)

    • Misc

    1. Shipping (i.e. hard drives / merch / props to / from client)
    2. Gas / Tolls / Parking
    3. Copies / Printing/ Misc Office Expenses (i.e sundry call sheets / production books / other office correspondence
    4. Long Distance Phone Charges / Faxes

    feed Delicious/rrhobbs/production
    • InBaseline - The Industry’s TV and Movie Database | Sunday, 26 April 2009, 9:53 am
      InBaseline - The Industry’s TV and Movie Database #filmindustry #tv #directories #InBaseline
    • [Exit, Produced By A Bear] | Thursday, 16 April 2009, 5:38 pm
      [Exit, Produced By A Bear] #mediaproducers productionpeeps ####################
    • Judy Inc | Tuesday, 31 March 2009, 10:43 am
      Judy Inc | Fashion / Wardobe | Hair / Makeup | Off Figure / Product | Prop / Room Set | Food / Tabletop | Creative Services

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    WGA Writers Strike 2007 - 2008

    Note: The author is a freelance film / photo location scout and location manager and is neither a member of AMPTP or WGA. Any of the opinions expressed are those of R. Richard Hobbs.

    Been missing the latest episodes of your favorite sitcom lately? Got left sitting on the edge of your seat wondering what happenned next on that tv drama you really like? Tired of watching reruns of late night talk shows (except for Letterman - and maybe the Tonight Show- but only as of this week…)

    Any of the above could likely be due to the the ongoing WGA Writers Strike, which began November 5th, 2007. The two primary organizations involved in this dispute are The Writers Guild of America (WGA) and The Alliance of Motion Picture & Television Producers (AMPTP).

    The WGA supplies writers to the AMPTP, who’s members produce the majority of network television shows and major feature films.

    The WGA is a guild. The AMPTP is a trade association.

    The last contract between the WGA and the AMPTP expired last fall and the reasons for the strike involves what the WGA feels are unresolved issues in the new, pending contract (obviously a large amount of detail, discussion and info…), but are largely with regard to compensation to the writers from income to the producers from new media and distribution, i.e. internet and other electronic / digital media.

    If you follow the many sources of news and information about the strike including entertainment industry and production trade publications such Variety and The Hollywood Reporter (Wikipedia has a good overview of the strike as well), you may find the matter is very involved and complicated. This strike involves major organizations and hundreds of millions of dollars are at stake. Each side has teams of lawyers and representatives and at least one party has hired a public relations firm.

    Conventional thinking might suggest that if two parties in question cant seem to agree, then an expeditious solution might be to enlist the services of a knowledgeable, but impartial third party to be a mediator or arbitrator, however, at this writing, one or neither of the WGA and AMPTP appear willing to allow the matter to be solved in this manner and there is no law prohibiting the strike since the strike (arguably ;-) does not affect “necessity services”, i.e. public transportation, utilities, etc.

    While I am sure, at the bottom of it all, (except for maybe the lawyers? ;-) everyone would like to see this strike settled as soon as possible altho it also appears to be a wrestling match as well; my bet is, sadly, that the settlement comes down to whichever of the two organizations has the deeper pockets. The settlement of a situation such as this potentially has far reaching effects for both parties as a group and the lack of same adversely affects related industries… on a more personal level the situation I think a lot of people really want to get back to work … so complicated…

    In the meantime, from a selfish point of view, while I am not a a laid-off staff from a show (I am a “non-union” freelance location scout, location manager and photo shoot producer) or currently a crew member on involuntary hiatus from a feature film; overall, there is currently less work for everybody and more people potentially looking to do whatever work might avail itself, so while I am not “directly” affected, a situation such as exists does, in fact affect me, so I just wish we could all just “get back to work”!

    AMPTP

    View Larger Map of AMPTP

    WGA

    View Larger Map of Writers Guild of America

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    The Rose Bowl is For Rent

    Er, well, I dont know about availability on New Year’s Day ;-)

    BUT…

    According to the Filming at the Rose Bowl Stadium web page on the Rose Bowl website:

    “Attention Location Scouts! The Rose Bowl Stadium is where the stars come out…”

    COME SHOOT WITH US! WE’RE FILMING FRIENDLY!

    “Off Site crew parking is also available for film production groups that are filming in the Pasadena area.”

    read more

    (appears as if you can use the stadium for holding / parking as well) Check it out

    Yankee Stadium isnt quite as clear about its availability for film shoots, nor is Giants Stadium. (I have shot at what is currently named Izod Center, but it was years ago)

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    Interviewed By WCBS-TV (NYC) Re: Orangetown, NY Filming Fees

    I was interviewed last week by New York, NY CBS affiliate WCBS-TV, for a video news article entitled Hollywood Being Priced Out of 1 Upscale Rockland County Town that ran on the Thursday, April 12th 11pm Newscast and in extended form the following morning on the Morning News regarding a situation in Orangetown Township, NY whereby the town has initiated a $500 per hour fine for film crews present before 7a.m. or after sunset.

    As I said on camera, Orangetown’s fees are exorbitant. I could never recommend sending a film crew to Orangetown under these circumstances. Film makers are not fools and contrary what many casual observers seem to think from what they may have seen on Entertainment Tonight, the production side of film and tv are not about burning thru money as fast as you can throw it on a fire, which is about what Orangetown’s fees amount to.

    Directors Guild of America (DGA) publication on the subject of runaway film production

    Evidently, at some time or another, someone was inconvenienced by production vehicle traffic (I am told it is one individual in particular and a review of town meeting minutes on the town website reflects a couple of instances where the same few specific residents made complaints about filming activities). The Town Supervisor, Thom Kleiner was quoted as saying they were inconvenienced by truck traffic.

    The majority of film productions are very willing to work to with local residents as well as local government and law enforcement to facilitate conditions with every one’s best interests in mind. It seems like something cumulatively seriously fell thru the cracks in Orangetown.

    It just doesn’t seem to all add up.

    Time lost by residents due to occasional temporary neighborhood film-production traffic delays: 15 minutes?

    Time spent preparing for and attending town meetings to complain: hours?

    What’s sad is the town has cow-towed to these several misguided and selfish individuals. The many positive effects that film production has on a local community seems to be lost on this bunch.

    Film production brings business to town. If there is a crew shooting they are likely putting people in hotels, eating in local resturants and using local caterers, shopping at local retailers and spending money with any number of other local businesses, not to mention owners of property used for locations who could be banking several mortgage payments in fees when their properties get utilised by production even just short-term.

    Film production is a decent-size industry which accounts for around $5 billion a year New York City alone. In fact, contrary to popular belief, the local film offices exist not primarily as arts and cultural entities but rather as offices of economic development and the New York State Film Office and New York City Mayors Office of Film, Theater and Broadcast (MOFTB) are very active at their respective government levels to create tax incentives to attract film makers. A study of effects of New York City’s recent Made in New York Incentive reflects dramatic annual shoot day increases over the past several years which translates to a more than $3 billion increase in city revenue from film production. Tax incentives have shown to generate 30%+ returns, or, every tax dollar waived, have resulted in $1.34 in increased overall revenue.

    The New York State Film Office and NYC MOFTB have both worked long and hard to attract filming to the state and greater NYC metro area, so, a town like Orangetown is, for all intents and purposes, shooting the film offices (as well as their own local economic development) in the foot.

  • New York State Tax Incentives For Film Production
  • New York City Tax Incentives For Film Production
  • New Jersey State Tax Incentives For Film Production
  • Connecticut State Tax Incentives For Film Production
  • Complete list of U.S. State’s film industry tax incentive programs (January 2007)
  • Film Production is clean. You dont have to worry about cleaning up the ground water after a film company leaves town.

    There is no doubt that for most people, being able to say that you have had a movie made in your town brings a sense of pride and most find experiencing the process to be fun and exciting.

    An active local film/arts community does a lot to raise the cultural level of any town or city.

    C’mon Orangetown, wake up and smell the coffee!

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    About nyc.locationscout.us

    Hi- I am R. Richard Hobbs.

  • I am a location scout and I work in film production, which loosely includes television production, video production and photo production.
  • I am also a location manager.
  • I am also a photo producer; I take care of all kinds of production details, from estimating and bidding to crewing up a shoot, casting and on-set production coordination.
  • I find the interesting back drops, (or locations) you see in movie scenes, tv commercials, televison programs, music videos and corporate videos, as well as in photos used for ads and editorial features in magazines, printed brochures, books and billboards. I also find locations that can be used for various public events, such as art/marketing installations, corporate and personal social events and marketing focus groups.
  • I live and have an office in New Jersey, not far from New York City. Living in this geographic situation has allowed me to get to know NYC and allows me to get there and back quickly and also leaves me a lot of freedom to take advantage of the more suburban flavored location resources of NJ and the lower Hudson Valley. Did I mention I love to travel?
  • Over the more than 15 years I have been doing what I do, I have accumulated a sizable library of locations that can be used for production, nearly 3,000 at last count as a matter of fact. All the photos are digital and are stored online at www.locamundo.com.
  • Location scouting is a somewhat arcane end of the production process and it is tough to say exactly what we do all the time, but we do a lot of different things at different times. What might be doing different under different circumstances. This link may help you understand some of the things we might do. Someties we might “wear several hats”, so to speak and we are always flexible and willing to pitch as needed as long as what is expected of us is understood and agreed upon up front. The bottom line is we always do our best to help you solve your production problems while making an income that affords affords a comfortable lifestyle. Give us a call and let’s see how we can work together!
  • Also, here are some FAQS (Frequently Asked Questions) that might help you understand some of what the locations department might be involved with.
  • Here is my resume of sorts.
  • Please give us a shout and let us help you solve your location challenges!
  • Do you own property that would look great on film? Go here.
  • Technorati Profile
  • feed R. Richard Hobbs nyc.locationscout.us Weblog
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    Rockland Magazine Article About Local Movie Homes and Location Scouts

    Yours Oughta be in Pictures… | By JENNY HIGGONS | (Original publication: October 18, 2006)

    “You probably wouldn’t recognize these Rockland homes if you passed them on the street, but they’ve starred in some famous Hollywood flicks. Think your home has movie-star potential?

    Charles Mouquin and his wife, P.J., barely had to break their daily routine—or even a sweat—to earn in 17 days what many people earn in a year. The Sparkill couple simply had to—all expenses paid, thank you very much—spend a night in a ritzy Manhattan hotel and briefly put their dogs in a kennel during a nighttime shoot. How did the Mouquins snag such a sweet deal? Last year they rented out their 9,000-square-foot Sparkill mansion on 19 acres to 20th Century Fox for the filming of Stay, its movie starring Ewan McGregor, Ryan Gosling and Naomi Watts. OK, so the psychological thriller’s box-office take was a drop in the bucket compared to its estimated $50 million budget. But no matter: The Mouquins still got a tidy bundle for the use of their Second Empire Victorian home built in 1873. (The couple was reticent about revealing the exact amount, but let’s just say it was a healthy five-figures.”

    read more

    I am interviewed and quoted several times in the above article.

    Ms. Higgon’s article, in my (admittedly biased) opinion, gives a pretty even-handed overview of what a property owner might expect in the course of an encounter with a location scout or film crew if approached with regard to having their property used for filming or during the course of a number of in-production filming situations.

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    Philadelphia, PA, USA Location Scouts

    City Paper | Naked City | On Location | Meet the folks who find Philly spots for Hollywood shoots. | September 12-18, 2002 | by Mary F. Patel

    “What do J-Lo, Ben Affleck and Michael Bolton have in common? No, the answer has nothing to do with hairstyles or ego sizes. All of these celebs have worked, or are currently working, on films (or videos) in Philly. Our town’s reputation as a good and inexpensive place to make movies has only been enhanced by the recent hype from the Kevin Smith film Jersey Girl, now shooting with Lopez, Affleck and other stars in various locations in the city. But after Smith, who hails from New Jersey, opted to shoot in Philly, it was time for our local location scouts to enter the scene to help film crews make the most of what the city has to offer.”

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    How Location Scout Kevin Hodder Got His Awesome Job

    Budget Travel Online | How Location Scout Kevin Hodder Got His Awesome Job | Read our interview with the location scout for Survivor and Treasure Hunters | Tuesday, August 22, 2006

    BT: How did you get your awesome job?

    Kevin: I was working as a mountain guide in my hometown of Whistler, British Columbia. In 1996, the Eco-Challenge Expedition Race came to Whistler. (The Eco-Challenge was a multi-sport endurance race that was held in a different international location each year. It was filmed for television) The Race Technical Director, Scott Flavelle, gave me a job working as a guide for a camera crew on the mountain section of the race course.”

    read more

  • Kevin Hodder at Yahoo TV
  • Kevin Hodder at New York Times Movies
  • Kevin Hodder at Film.com
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    New Film Commission Director and Filmmaking Tax Incentives in CT

    Shoot Online | Meet The Commish | Filming Incentive Program Takes Hold In Connecticut | By Robert Goldrich

    “July 21, 2006 — Heidi Hamilton became Connecticut’s Film Division Director last December, after having worked under the previous director. She brings to her position a broad-based background in law and filmmaking.”

    read more

    CT Film | Connecticut Digital Media & Motion Picture Tax Credit

    “What happens when you combine majestic shorelines, quiet meadows, old world architecture, bucolic town greens, mill town grunge, skilled crew base and 30% tax credits?”

    read more

    CT Film | Welcome Message from Film Division Director Heidi Hamilton

    “…In the closing days of the 2006 session, the General Assembly established tax credits for the production of digital media and motion pictures in Connecticut and renamed the division the Digital Media and Motion Picture Division (effective October 1, 2006). In an effort to encourage increased economic activity in the state and job growth, the legislation calls for a tax credit equal to 30% for qualified digital media and motion picture production, preproduction, postproduction and distribution expenses incurred in the state that exceed $50,000. The production tax credit is among the most aggressive programs in the country and will be administered by the Film Division. On our website you will find detailed information including a pre-application and instructions. Check frequently for updated program information.”

    read more

    Connecticut In-State Production Tax Incentive info links:

  • Details
  • Pre-Application, Instructions, and Required Additional Forms
  • Statutes
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    New York Location Scouts to Lose Scouting Tag Priveleges

    MOFTB: Scouting Tag Program Discontinued

    “May 23, 2006- Effective June 30, 2006, the Mayor’s Office of Film, Theatre and Broadcasting will no longer issue production scouting tags and all existing scouting tags will expire. Due to the success of the “Made in NY” tax incentive program, the City has accomplished its goal of attracting increased production business and employment for New Yorkers who work in the entertainment industry. In an effort to balance the needs of production and the communities in which they work, the MOFTB will no longer issue scouting tags. Easing the impact of parking upon neighborhoods will serve to keep locations film friendly, and allow the City to attract even more employment for our local entertainment professionals. The MOFTB will continue to issue tags to essential production vehicles with the shooting permit.”

    Cinematical | NYC Cuts Film Industry Perk | Posted Jun 13th 2006 8:01PM by Christopher Campbell | Filed under: Newsstand

    “Just when the city of New York is enjoying a surge in film production, hopefully cutting down on movies set in NYC but shot in Canada, a new decision is pissing off a lot of people in the movie business.”

    read more

    The Reeler | Tag, You’re Out: NYC Location Scouts’ Parking Perks Revoked | June 13, 2006

    “AM New York’s Chuck Bennett today has the “latest” on the troubles affecting New York’s location scouts, whose liberal, city-sanctioned parking privileges will expire June 30–never to return. The news is kind of old–the Mayor’s Office for Film, Theater and Broadcasting made the announcement May 23–but in case you wanted to hear location scouts bitching on the record, here you go:”

    read more

    http://news.yahoo.com/s/ap/20060614/ap_en_mo/film_scout_parking_2 (dead link) | By SARA KUGLER, Associated Press Writer Tue Jun 13, 8:11 PM ET

    “NEW YORK - Film scouts trolling New York City for its picturesque stoops and street corners won’t be free to park wherever they want now that officials are halting a special parking-permit program.”

    I was interviewed by phone today (but evidently, not quoted by name) by Sara Kugler from WABC-Radio in New York City. Here is some of what we discussed and points I tried to make:

    Looks like we location scouts might be losing our location scouting tag priveleges come July.

    “And what exactly is a location scouting tag privelege?”, you say?

    Well… upon completing a New York City filming permit application at the New York City Mayor’s Office of Film, Theater and Broadcast (MOFTB), requesting scouting tag(s) and approval of MOFTB, location scout(s), (for the duration of time allotted on the permit) have considerable leeway and freedom to park anywhere in the five boros in order to see locations with potential for use in their production.

    This is indeed a gift in a city the size and density of New York. Public parking is scarce at best and fraught with not only arcane parking restrictions, but sometimes those arcane parking restrictions are obscured further by the fact that the parking signs that contain those arcane parking restrictiction are, in fact, often absent, whether it be by theft/vandalism, perhaps having been in a spot where an auto accident occurred… there are a lot of reasons a parking sign could be missing in a town the size of NYC.

    The location scouting tag basically gives you the privelege to park wherever you can (with the intention of performing your duties as a location scout), provided you dont place human life in jeopardy (i.e. obvious no-no’s like parking in front of a firehouse driveway, or in an ambulance exitway) and be immune to the city’s ubiquitous “Brownies” (NYPD Traffic Enforcement) and the quite pricy parking citations they are employed to hand out (the last parking ticket I got some years back cost something like $85). If you receive a ticket, you turn it in with your scouting tag- it goes away.

    Doctors and foreign diplomats, as well as some members of the press (this could be an incomplete list) are eligible for many of these same priveleges.

    Alas, reports of abuses as well as the fact (per the excerpted article above) that the city has achieved its filming incentive goals combined with the undebatable fact that parking in New York is scarce in the first place may spell the end to scouting tag priveleges for NYC location scouts.

    I had a scouting tag once; I was working on a feature film, 9A several years go. The shooting schedule was tight, we were facing significant challenges regarding fulfilling locations required by the script, including scouting for night shots (at night) in what most would consider “less than desirable” parts of town; the scouting tag helped. A lot.

    Another argument for continuing the scouting tag privelege in NYC:

    New York is a world-class city. Some of the world’s most famous films (including tv shows, commercials, videos and photgraphs) have been made in NYC.

    As a location scout, one of the reasons you live in the NYC area is to have an opportunity to work on projects of this caliber.

    It is not unreal to assume that you could, in fact, find yourself driving around NYC (showing locations) in the same car together with an Oscar-winning director or acclaimed director of photography, a producer you just read about in a tabloid and a bazillion-dollar net-worth executive producer or financier, with the power between them to give the nod or say no to bringing $100 million or more in jobs or business to the city. (This is “economic development”. It’s good for cities. Production is good at that. And production doesnt pollute the air and water.) Anyway, I am sure you can see the motivation to let these people feel special and get their jobs done quickly and easily.

    In contrast, the film industry has changed a lot in the past few years, nowadays, there are hundreds, if not thousands, of smaller budget films in production in New York each year, thanks to the advent of the internet and digital imaging, which have effectively taken content distribution out of the hands of a few big-money players and put it into the hands of anyone with a passion to tell a story and can afford a camera, a crew, talent and their locations. Individually, these types of productions dont always spend that much, but as the sum of the parts, this group represents a sizable chunk of change in New York’s annual production income. It is this group that will be most affected by the scouting tag change, as they will have to figure into their budgets that their scouts will either have to pay for parking or for parking tickets. New York is already a fairly expensive town just to exist in, period; discontinuing the location scouting tag privelege could be one of many ways that production might have an incentive to go elsewhere. This is what is known as “runaway production”

    It’s a couple of more weeks till the scouting tag priveleges are scheduled to go away. It’s been good.

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    Movie Maker Magazine Article

    Note: The following is a draft of “Securing A Great Location”, published in Moviemaker Magazine’s 2005 Beginner’s Guide To Making Movies

    MovieMaker Magazine | Securing a Great Location | By © R. Richard Hobbs 2004

    Chances are, before too much time goes by, you, as a film maker, will be forced to reckon with venturing out of the cozy, controllable confines of a studio/soundstage and into that great wild beyond known as a location.

    If you are a director, your job, (among a plethora of other tasks, of course!), is to think of creative ways to bring a story to life visually.

    If, like me, you are a part of the locations department (location scout and/or location manager), your job is to help the creative team toward this end, and while hopefully thinking equally as creatively and presenting actual real-world location possibilities, at the same time you are obligated to pay quite a bit more attention to the practicality, logistics and nuts and bolts of actually pulling the shot off at the location(s) you might suggest and following up on same.

    Depending on your budget and/or method of working, even though your title may be Director, Assistant Director, Production Manager or even Executive Producer, you may be required to deal with some of the issues yourself that by rights are normally the Locations Department’s; in any case a little “cross-training ;-) ” and insight into what some of the other crew does cant be any less than a good thing!

    All this said, my story will attempt to offer some useful information toward securing the perfect location from the locations department’s point of view.

    As mentioned before, (the aesthetics aspects notwithstanding), there are a number of practical aspects to consider when choosing a location. What follows is by no means complete, but here are a few items in no special order:

    Does the location you are considering work from all technical & logistical points of view? Some questions to ask yourself:

    Where will I put all those trucks and people?

    Is there room for (if not normally legal, then permitted) parking? It is imperative that you or someone from your crew scout the area adjacent to the set beforehand to make sure there is room and to be sure that room is not in front of a hydrant, fire department or bus stop, etc.

    If parking is “tight “ (in high demand) you need to be sure that parking will in fact exist when your crew arrives! Having a permit to park there is one thing, actually “owning” the parking space(s) is another! (As we all know possession is 99% of the law;-)

    In New York City (where I work) there are specialists called Parking Coordinators or Coneheads (for the orange cones they put out). Hire them.

    You need to be sure you can meet the electrical requirements of your shoot. Be sure there is sufficient house power or you can get your genny truck close enough, and be sure you have sufficient electrical cable in any case!

    Is there holding? (a comfortable place to “hold” people while they are not on set) If you are using SAG actors, a requirement is that they have a separate, private area for changing clothes. Be sure there is air conditioning or heat if the weather requires it!

    Does the location work logistically?

    Be careful with scheduling! If you are shooting a scene on one side of town in the morning and it takes an hour to drive to the second set, another hour to set up and then an hour of shooting, you are probably already into meal penalties. Try to find locations close to each other when scheduling scenes to be shot/ talent on call on the same day.

    Is there room to work?

    The most gorgeous room in the world is useless is there is not enough room to get the camera/dolly/lights/actors in there for the angles needed to make the shot.

    What if it rains?

    Do you have a “Plan B” in your pocket? Be careful with weather and cancellations of locations, talent and equipment. It can get expensive.

    Is there light there?

    Is there the correct lighting for the mood you are trying to achieve (or can you make it?) A location can look significantly different on a cloudy day from the day you scouted it and there was daylight streaming thru the branches casting patterns on the ground!

    Are you absolutely sure you have permission to be there?

    Does the owner understand that it won’t just be someone with a camcorder stopping by for a few moments? We become so used to our own world that it sometimes ceases to occur to us that people outside the film industry most often have (or have any reason to have an) inkling about what is actually involved in making a film. You need to be straightforward and accurate about all those trucks, equipment and people that will be showing up for 12-14 hours.

    You should have also prepared in advance a synopsis of the story and the specific scene(s) you are shooting and explain this in detail to the owner. Sure, we love our story, but everybody has their own views and what seems perfectly normal to us may seem controversial or blatantly offensive to someone else (for no apparent reason to us) yet it is they that will have to live with being associated with the film. This is a very large, diverse, very politically correct world we live in today!

    You should always use a property release form and get it signed by the location owner. A property release, in a nutshell, is written permission for you to depict a property to the public on film. Without it, you may leave yourself open to claims of invasion of privacy or other damages. Just do a Google for “property release”, there are standard forms around you can use.

    You should always find out beforehand if there are any local or municipal permits or fees required where you are filming and comply fully with those requirements. A local film office, the city clerk or police department for a given municipality should be able to tell you what, if any filming permit requirements may exist.

    Q: What could suck worse than finding out you don’t have time or money for a permit? A: Getting your production shut down in mid-shoot because you don’t have a permit.

    There a few other general suggestions I might offer that may help you in your quest for the perfect location:

    Never underestimate the power of a film office!

    Local film offices are some of the most underutilized FREE resources available to film makers. A film commission can get you “in” places you could never touch on your own. They have the credibility of being associated with government plus can be an advocate for your project! They can be a godsend if you are filming outside your home turf- They most often have listings of local crew and location ideas for you. They know the local customs and any permit requirements that may exist! Be nice to film offices!

    If you want to find out if there is a film office in your area try here first: www.afci.org

    Leave time for permitting/getting permissions

    I can’t begin to tell how many great locations have been aborted (or lost!) because there was insufficient time allowed to get permission or secure permits. This malady seems to especially afflict film makers just starting out for some reason (?).

    Q: Hey, can you get me and my crane on a rooftop in NYC to shoot tonite?

    A: Sorry, ain’t gonna happen, bubba.

    If time is tight one option may be to use a location agency. These are people/companies (often scouts or location managers) that have an archive of existing pictures of locations that have often been previously used (or scouted and not used for one reason or another) Sometimes time can be saved this way, but don’t expect miracles- permissions must still be obtained and fees negotiated on your behalf.

    Do you have insurance?

    I personally won’t go on a shoot or book locations for a production without insurance. You should have a minimum $1,000,000 (standard now actually seems to be $2,000,000) commercial liability policy that allows for additional insurance of third parties. If you are using payroll and have employees then you should have workmen’s comp. Some locations require proof of this.

    Use the right tool for the job!

    You wouldn’t use a screwdriver to drive in a nail (or maybe you would ;-) ! Anyway, hire a location scout/manager! We are there for u!

    Adios, good luck and p.s. please invite me to the Oscar Party!

  • My Movie Maker Maker Magazine Profile


  • Movie Maker Magazine


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