Tag Archive for 'archives'

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    WP-Cumulus

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    links for 2008-06-10


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    ArchNewsNow

    ArchNewsNow

    About Us

    “ArchNewsNow.com delivers the most comprehensive coverage of international news, projects, products, and events in the world of architecture and design.

    The ArchNewsNow (ANN) newsletter, launched in February 2002, is delivered daily to subscribers – free of charge – via e-mail. It hyperlinks directly to the latest news and commentary gleaned from sources around the world.”

    read the rest

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    links for 2008-04-30


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    Motion Picture and Television Photo Archive (MPTV)

  • Motion Picture and Television Photo Archive (MPTV)
  • Motion Picture and Television Photo Archive Blog
  • Motion Picture and Television Photo Archive | About:

    “Problem:
    The Hollywood photograph is part of our cultural history, documenting as it does, the development and growth of a uniquely American industry. Some are significant works of art in their own right. Thoughtless of the future, some film studios and periodicals, even Photographers themselves, discarded old negatives and prints, or stored them haphazardly. We have already lost too many through deterioration and disposal. If these fragile and irreplaceable images are allowed to disappear, they can never be recaptured.

    Solution:
    Fortunately, we have come to realize that these fast disappearing works substantially shaped and influenced the lives of most twentieth century Americans, and will provide an invaluable visual resource for present and future generations. However, as in the case of other endangered species, it is crucial to act now.

    The aim of MPTV is to provide a permanent photography center with a special emphasis on the Hollywood photograph and the creative achievements of the Photographers.”

    read the rest

    This organization, founded by late Hollywood celebrity photographer legend Sid Avery, has an amazing collection of entertainment industry photographs online available for browsing (…and of course, buying! ;-)

    check em out

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    links for 2008-04-22

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    Online File Storage for Location Scouts?

    The jury is (and may always be) out on the best solutions for digital file archiving and backup. What follows are some thoughts about same and some solutions I have been exposed to:

    Here’s the scenario- as a location scout, I deal with A LOT of photos- individually they are not unusually large files, but between scouting jobs and photos that people send me of their property, I look at and have to deal with organizing a heapo’ pictures on just about a daily basis! Not only that, in the location scouting biz, information is money so there have to be ways to access this visual information quickly(as well as the contact info and notes about each- but more on that later…).

    The first place any photos go when I aquire them is a remote 160 GB Firewire (or IEEE 1394) hard drive pretty much dedicated to archiving location photos, shortly after which, especially if the photos were made for an in-progress location scouting job, they get uploaded to my Locamundo account for immediate use in an online location album and archived for permanent reference.

    Call me paranoid ;-) but what if:

  • my hard drive crashes?
  • locamundo crashes? (the photos get compressed on locamundo too and I have prefer to have “original photos”). Also I could lose my internet connection temporarily (its happenned more than once and could occur on the Locamundo end or my ISP’s end (network problems, severe weather/ power outage) in any case, its annoying and does nothing to help me help my client solve their problems, which we are more often than not trying to do on a tight deadline.
  • I have many of my files backed up locally on yet another local harddrive partition, but all these files on the same machine take up a lot of hardrive space. The cost is not such a problem in and of itself, harddrives get cheaper every day; however, all these files lying around in partitions on the same local harddrive(s) do nothing to help speed along more mundane tasks such as searching for files, whether they be related to location scouting scouting or not and really increase the time it takes for my anti-virus program to do its daily scan of my system. I defragment my hardrives regularly to help keep them speedy and healthy and lots of files make that go much slower as well.

    Purchasing additional removable drives might be the way to go.

    In “the real world”, the fact is, once my files are uploaded and keyworded on Locamundo, I may not ever need to touch them again, or if I do it is likely to be a long time before I do, but the fact remains that I cant just delete them.

    Enter online storage solutions.

    Right now I am trying out MediaMax Streamload. Streamload is the name of a Windows program ditributed by MediaMax which runs locally(on my computer) as a service and provides a secure network link to my private file storage account on MediaMax’s server. At this writing, MediaMax provides a free 25GB account, upgradable to provide more storage space. Then next upgrade level is 100GB for $4.95 per month, which is very affordable and which I might move up to as soon as I figure out why Streamload is hanging when I try to access the local folders where my files are located. I like the online solutions, they do backups on their end as well.

    But…like I said, I gotta lotta files, it could be a matter of organizing them differently so the Streamload application doesnt cease to respond. Compared to local drives, an internet connection, from dialup all the way up to heavy-duty broadband connections are pretty lightweight. You can cram just so much info in a data pipe at time. It’s always something…

    Update: After opening a free Media Max account and downloading and running the Streamload Beta, when I used it to find my files to upload, the program hung and had to be forced closed. Kinda defeated the purpose of using proprietary software whose stated purpose was to facilitate uploading large numbers of files simply and quickly. When I needed to do a restart my entire system hung. I rebooted to safe mode and to try and uninstall Streamload that way but its uninstaller would not work in safe mode. I had noticed that Streamload was running as a Windows Service so I disabled it there, rebooted normally and uninstalled Streamload. Summarily, it didnt seem to play well with my system, your mileage may vary.

    Hmm, maybe there are some Bittorrent solutions out there? In addition to bittorrents typically taking a LONG time (this is my experience- again, your mileage may vary), they rely on a pool of people sharing a file to pass the pieces to each other and the Bittorrent app takes up recources while it is working- I dont wanna share my files with others and sometime I have to have a lot of programs open on my computer that I need to be running full steam- I sure dont need bog-downs and crashes trying to make a deadline! Still, gotta look into that a little more

    CD’s/DVD’s you say? Been there, done that. Takes forever, ties up computer resources and the media (the cd’s/ dvd’s) data deteriorates over time. I have two crates of cd’s that I have used to back up files over the years and everytime I put one in the cd drive, if it is more than a year or two old, there is a good chance it is unreadable- corrupted. I have cd’s going on ten years old, I probably have a lot of files I may never again have access to. File recovery is VERY time consuming or VERY expensive. Remember Zip Disks and floppies? What a laugh!

    IDE, Firewire and USB Harddrives have become very affordable so, as I mentioned above, this is a road I have followed as recently as the past year or so. Traditional IDE hardrives of very good quality can be bought very cheaply and the prices seem to continue to drop. Cases and USB/Firewire interfaces amke these drives removable and portable. These drives are fast. May be time to buy some new hardware.

    I welcome feedback about all this so, for now, I am going to leave comments open for this post, something I rarely do, as I just dont have time (you see me trying to buy just a little time doing backups here don’cha?) to put into housecleaning blog spam. Akismet, do your thing! We’ll see how it goes…

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      updates:

    • 4/21/2008 update | added map / feeds / general cleanup | previous timestamp: March 5, 2008 at 8:13 pm
    • Note: Post updated Sat March 5th, 2008.
    • Note: Post updated Sat Feb 17th, 2007.

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    locationscout.blogspot.com

    It LIVES again!

      History:

    • updated: 4/11/08: locationscout.blogspot.com is live again
    • 1st update timestamp: March 15, 2008 @ 21:15 | update: 3/15/2008 at this point most (if not all) of my Blogger Blogs are deprecated, the content having been imported to nyc.locationscout.us and the blogs themselves redirected to same.
    • original timestamp: May 20, 2006 @ 21:09 | The move is complete!
      All the archives from locationscout.blogspot.com have been moved over here to www.locationscout.us! -RH

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    Amazon S3 Crash

    Early this morning when Jungle Disk started throwing errors, I knew something wasn’t right, it wasnt till around 10:30 things were back to normal.

    Whiskey Tango Foxtrot

    The 21st century location scout (me) relies heavily on digital and online resources for creating, organizing, presenting, backing up and archiving.

    I use Jungle Disk as an interface to Amazon S3 (Simple Storage System). Amazon S3 is amazingly affordable and scalable.

    Well, today S3 crashed for a couple of hours. I just use it for backups so it was not a mission critical event for me but many high tech businesses rely on the S3 service on the fly, so the outage was an unacceptable situation for them.

    Customers Shrug Off S3 Service Failure

    - RH


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    News :: Q-spheres

    Q-spheres HDRi


    Q-spheres Website



    (above) Quicktime output of Q-sphere of Team Q-spheres at Lake Mead, NV, December 2007 (c) 2007-2009 Q-spheres.com


    Q-spheres Las Vegas Session @ Locamundo


    R. Richard Hobbs / nyc.locationscout.us is now a qualified provider of Q-spheres HDRi 3d digital imaging services.

    In association with LocationExchange, Locamundo, and Team Q-spheres qualified associates worldwide, we aim to build on our collective traditional location scouting and location management services skills and location archive assets and resources, going forward to provide an even greater range of services to not only keep pace with, but rather lead the way in rapidly changing digital imaging technologies for the still photography, motion pictures and 3-d gaming and animation industries.

    Our current digital imaging system, developed by Locamundo founder Jo VanHove (Brussels, BE), provides the fastest currently-available methods for generating the highest-quality, full-dynamic-range, 3d, image-based lighting models (lightfields) and HDRi backgrounds. Our worldwide team of expert imaging and production professionals strives to keep abreast of and implement as we might find productive, new developments and available methods - adapting our imaging technologies to provide the highest-standard services and products with regard to not only imaging quality, but with considerations toward efficiency and cost-effectiveness as well.

    Q-spheres can be hired to provide assignment-specific imaging and also maintains an archive of rights-managed post-ready high quality backgrounds and lightfields.

    Please contact us for your next imaging project and let us show you how Q-spheres can work for you!

    Q-spheres Official Press Release, July 2007 (pdf)

    Q-spheres Associates Worldwide (Alphabetically, by company or last name):

    1. Meuleman Manu (brauhaus.be / Antwerp, BE)
    2. Thomas Duchnicki (creativelocation.de / Berlin, DE)
    3. Rickard Molin (fixmolin.se / Stockholm, SE)
    4. John Cody, Dan Uneken (fotofilmvideo.com / Jerez de la Frontera, Spain)
    5. Francoise Huvelle (Q-spheres.com / Buenos Aires, AR)
    6. Scott Clark (iwerken.com / Albuquerque, NM, USA)
    7. Jo VanHove (loc8, locamundo.com, locationexchange.com / Brussels, BE)
    8. Locations Portugal (locationsportugal.com / Lisbon, PT)
    9. Peter Orth (planetorth.com / Los Angeles, CA, USA)
    10. R. Richard Hobbs (rrhobbs.us / New York, NY, USA)
    11. Francesca Carapelli, Leonardo Semplici, Stefano Tinti (scout.it / Siena, Italy)
    12. Mark McMcKennon (scoutman.com / New York, NY, USA)
    13. Frans VanDenBemd (vandenbemd.com / Prinsenbeek (Breda), NL)
    14. Clare Beresford (worldlocations.com / Paris, FR)

    In November / December 2007, I travelled to the Lake Mead, NV area to meet with, along with the rest of Team Q-spheres USA, Jo VanHove and Frans VanDenBemd for an opportunity to familiarize ourselves with and use the Q-spheres digital capture system. During the course of the trip, not only did the American contingent of Team Q-spheres come away with a thorough training in Q-spheres technology and practices, the results of the actual Q-spheres sessions have provided us all with the valuable assets of beautiful lightspheres and backgrounds of the Nevada desert.

    Team Q-spheres USA
    (above) Actual low-resolution lightfield of Team Q-spheres USA

    Q-spheres Las Vegas Session @ Locamundo

    Team Q-spheres Training Session - Lake Mead NV

    Q-spheres training session, Lake Mead, NV - Jo Van Hove instructs Q-spheres Team Members

    View Q-spheres Nevada Photoset on Flickr

  • related content about Q-spheres
  • General information about HDRi
  • General Information about image based lighting
  • feed locationexchange
    • Website q-spheres live ! | Tuesday, 26 June 2007, 9:54 am
      With the live making of the Q-Spheres website, we have an official start to our marketing for Q-Spheres !! Photographers, 3D artists, designers can no. […]
    • Jeep Compass Q-Sphere production | Friday, 15 June 2007, 5:39 am
      Our first Q-Sphere production has reached the screens… Watch the static : http://www.jeep-compass.be/fr/ Watch the film : http://www.jeep-compass.be. […]
    • New associates | Thursday, 19 April 2007, 9:42 am
      We welcome Dan Uneken and John Cody as new associates to LocationExchange. Dan and John work in the South of Spain and Morocco, both regions with good. […]


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    Wikipedia-n-Me

    I recently authored my second article for Wikipedia, a short definition / description of the term “location library”:

    Location Library (Motion Pictures and Still Photography)

    …the title is nearly as long as the article! ;-) Believe it or not, even tho the terms “location archive” or actually, more frequently, “location library” are terms I (and maybe you, too, if you are reading this - it’s not like I ever purported my blog to even attempt to appeal to anyone beyond a very specific niche of folks who work in various capacities in the film, photo and tv production communities… so unless you fit that profile the only way I can imagine you ended up here is you are really lost or really bored ;-) )

    …but I digress…

    I started a considerably lengthier article on the subject of location scouting several years ago:

    Location Scouting

    ..which I have continued to contribute to regularly as the article has matured - thanks of course to the generous contributions other Wikipedians

    Both articles are part of my efforts as a member of Film-Reel-Wikipedia Wikipedia:WikiProject Films/Filmmaking task force

    Also, altho the Wikipedia no-follow links policy is in place for very good reasons (i.e. link spam) and therefore, since Wikipedia doesnt generate any “link love“, I am tooting my horn here!

    …elsewhere on nyc.locationscout.us (…references to relevant Wikipedia articles…):

  • Wikipedia / Location Scouting
  • Wikipedia / Location Manager
  • Wikipedia / Location Library
  • Wikipedia / Filming Location
  • Wikipedia / Film Producer
  • Wikipedia / Film Production (Film Making)
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    I Am Archived

    Human Archives Organization …sort of a “who’s who”…of everybody (…at least anyone who has an “archivist” or wants to do it them self…).

    Here’s my HumanArchive page.

    Wayback Machine …the Wayback machine archives websites by date - you can see what a site looked like at a given point in time in the past.

    Here is what this website looked like at various times in the past - for some reason, there are no archives for 2007 but don’t know why?

    Here is what Microsoft.com looked liked on October 20, 1996.

    Here is what Apple.com looked like on October 22, 1996.

    (if the images that were used on a site are not still available they are not shown…)

    AboutUsrrhobbs.com page on aboutus.org

    I recently made other posts here, here and here about other places I can be found.

    Here is my Location Library on Locamundo.

    LinkedIn …business networking portal… me

    Me on MySpace

    I’m on Facebook (log in to Facebook and search my full name in quotes)

    Me on Mashable

    I can be found LOTS of places around the internet- (you could be, too with the application of less elbow grease than you might think;-)

    Have fun and have a Happy New Year in 2008!

    -RH


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    locationmanager.net and location-scout.us

    update 8/6/2008 / EVERYTHING has been moved to nyc.locationscout.us

  • locationmanager.net archives have moved to locationscout.us
  • location-scout.us has also moved to locationscout.us
  • feed R. Richard Hobbs nyc.locationscout.us

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    BizBash Location Scout Archive

    BizBash, an event-planning resource website, has recently begun a series on its different city and regional websites, which include New York, Los Angeles, Washington, D.C., Florida and Toronto entitled BizBash Location Scout Archive (link is for New York- Location Scout Archive for other cities can be found under the “Venues” tab(s) on each city’s respective website).

    The Location Scout Archives showcase interesting and / or remarkable local venues as well as including relevant featurette stories of interest to event and party planners, i.e. What Event Planners Want, all in a “blog” type format.

    As a New York City area based location scout, I find the series interesting and valuable as I often receive requests for locations for film, video and photo shoots that might include public venues such as restaurants / bars, catering halls and other types of venues such as perhaps, museums or private clubs and it is always good to keep abreast of what’s opening (or closing) as well as “what’s hot or not”.

    Occasionally I receive requests for locations for public events as well.

    Related | BizBash RSS Feeds

  • New York
  • LA
  • Washington
  • Florida
  • Toronto
  • National (U.S.)
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    Movie Maker Magazine Article

    Note: The following is a draft of “Securing A Great Location”, published in Moviemaker Magazine’s 2005 Beginner’s Guide To Making Movies

    MovieMaker Magazine | Securing a Great Location | By © R. Richard Hobbs 2004

    Chances are, before too much time goes by, you, as a film maker, will be forced to reckon with venturing out of the cozy, controllable confines of a studio/soundstage and into that great wild beyond known as a location.

    If you are a director, your job, (among a plethora of other tasks, of course!), is to think of creative ways to bring a story to life visually.

    If, like me, you are a part of the locations department (location scout and/or location manager), your job is to help the creative team toward this end, and while hopefully thinking equally as creatively and presenting actual real-world location possibilities, at the same time you are obligated to pay quite a bit more attention to the practicality, logistics and nuts and bolts of actually pulling the shot off at the location(s) you might suggest and following up on same.

    Depending on your budget and/or method of working, even though your title may be Director, Assistant Director, Production Manager or even Executive Producer, you may be required to deal with some of the issues yourself that by rights are normally the Locations Department’s; in any case a little “cross-training ;-) ” and insight into what some of the other crew does cant be any less than a good thing!

    All this said, my story will attempt to offer some useful information toward securing the perfect location from the locations department’s point of view.

    As mentioned before, (the aesthetics aspects notwithstanding), there are a number of practical aspects to consider when choosing a location. What follows is by no means complete, but here are a few items in no special order:

    Does the location you are considering work from all technical & logistical points of view? Some questions to ask yourself:

    Where will I put all those trucks and people?

    Is there room for (if not normally legal, then permitted) parking? It is imperative that you or someone from your crew scout the area adjacent to the set beforehand to make sure there is room and to be sure that room is not in front of a hydrant, fire department or bus stop, etc.

    If parking is “tight “ (in high demand) you need to be sure that parking will in fact exist when your crew arrives! Having a permit to park there is one thing, actually “owning” the parking space(s) is another! (As we all know possession is 99% of the law;-)

    In New York City (where I work) there are specialists called Parking Coordinators or Coneheads (for the orange cones they put out). Hire them.

    You need to be sure you can meet the electrical requirements of your shoot. Be sure there is sufficient house power or you can get your genny truck close enough, and be sure you have sufficient electrical cable in any case!

    Is there holding? (a comfortable place to “hold” people while they are not on set) If you are using SAG actors, a requirement is that they have a separate, private area for changing clothes. Be sure there is air conditioning or heat if the weather requires it!

    Does the location work logistically?

    Be careful with scheduling! If you are shooting a scene on one side of town in the morning and it takes an hour to drive to the second set, another hour to set up and then an hour of shooting, you are probably already into meal penalties. Try to find locations close to each other when scheduling scenes to be shot/ talent on call on the same day.

    Is there room to work?

    The most gorgeous room in the world is useless is there is not enough room to get the camera/dolly/lights/actors in there for the angles needed to make the shot.

    What if it rains?

    Do you have a “Plan B” in your pocket? Be careful with weather and cancellations of locations, talent and equipment. It can get expensive.

    Is there light there?

    Is there the correct lighting for the mood you are trying to achieve (or can you make it?) A location can look significantly different on a cloudy day from the day you scouted it and there was daylight streaming thru the branches casting patterns on the ground!

    Are you absolutely sure you have permission to be there?

    Does the owner understand that it won’t just be someone with a camcorder stopping by for a few moments? We become so used to our own world that it sometimes ceases to occur to us that people outside the film industry most often have (or have any reason to have an) inkling about what is actually involved in making a film. You need to be straightforward and accurate about all those trucks, equipment and people that will be showing up for 12-14 hours.

    You should have also prepared in advance a synopsis of the story and the specific scene(s) you are shooting and explain this in detail to the owner. Sure, we love our story, but everybody has their own views and what seems perfectly normal to us may seem controversial or blatantly offensive to someone else (for no apparent reason to us) yet it is they that will have to live with being associated with the film. This is a very large, diverse, very politically correct world we live in today!

    You should always use a property release form and get it signed by the location owner. A property release, in a nutshell, is written permission for you to depict a property to the public on film. Without it, you may leave yourself open to claims of invasion of privacy or other damages. Just do a Google for “property release”, there are standard forms around you can use.

    You should always find out beforehand if there are any local or municipal permits or fees required where you are filming and comply fully with those requirements. A local film office, the city clerk or police department for a given municipality should be able to tell you what, if any filming permit requirements may exist.

    Q: What could suck worse than finding out you don’t have time or money for a permit? A: Getting your production shut down in mid-shoot because you don’t have a permit.

    There a few other general suggestions I might offer that may help you in your quest for the perfect location:

    Never underestimate the power of a film office!

    Local film offices are some of the most underutilized FREE resources available to film makers. A film commission can get you “in” places you could never touch on your own. They have the credibility of being associated with government plus can be an advocate for your project! They can be a godsend if you are filming outside your home turf- They most often have listings of local crew and location ideas for you. They know the local customs and any permit requirements that may exist! Be nice to film offices!

    If you want to find out if there is a film office in your area try here first: www.afci.org

    Leave time for permitting/getting permissions

    I can’t begin to tell how many great locations have been aborted (or lost!) because there was insufficient time allowed to get permission or secure permits. This malady seems to especially afflict film makers just starting out for some reason (?).

    Q: Hey, can you get me and my crane on a rooftop in NYC to shoot tonite?

    A: Sorry, ain’t gonna happen, bubba.

    If time is tight one option may be to use a location agency. These are people/companies (often scouts or location managers) that have an archive of existing pictures of locations that have often been previously used (or scouted and not used for one reason or another) Sometimes time can be saved this way, but don’t expect miracles- permissions must still be obtained and fees negotiated on your behalf.

    Do you have insurance?

    I personally won’t go on a shoot or book locations for a production without insurance. You should have a minimum $1,000,000 (standard now actually seems to be $2,000,000) commercial liability policy that allows for additional insurance of third parties. If you are using payroll and have employees then you should have workmen’s comp. Some locations require proof of this.

    Use the right tool for the job!

    You wouldn’t use a screwdriver to drive in a nail (or maybe you would ;-) ! Anyway, hire a location scout/manager! We are there for u!

    Adios, good luck and p.s. please invite me to the Oscar Party!

  • My Movie Maker Maker Magazine Profile


  • Movie Maker Magazine


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    Gothamist: Arts and Events Archives

    Gothamist: Arts and Events Archives

    Gothamist Media Kit

    “Gothamist LLC owns and operates the most popular network of city blogs on the Internet today.”

    read the rest

    feed Gothamist

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    The Film-Makers Cooperative

    The Film-Makers’ Cooperative

    “The Film-Makers’ Cooperative is the largest archive and distributor of independent and avant-garde films in the world. Created by artists in 1962, the Coop has more than 5,000 films and videotapes in its collection.”

    read more

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