New York Times | Film | Sleepy Hollow, on the Thames | By Matt Wolf | Published: April 11, 1999
“It was a clear, brisk March morning in the Chilterns, a pastoral stretch of England’s Thames Valley, to the west of London, and the film director Tim Burton was looking skeptically at the sky. ‘’What we really want is lousy weather,’’ said Emmanuel Lubezki, the cinematographer, who shared Mr. Burton’s concern over glimpses of sun in a country where clouds can prevail for weeks on end. Before long, the elemental status quo was restored, the skies darkened and an essential gray returned to ‘’Sleepy Hollow,’’ a movie being freely adapted from Washington Irving’s American classic.”
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