Monthly Archive for May, 2006

Ads Created by Users

NY Times: Advertising: An Agency’s Worst Nightmare: Ads Created by Users | By JULIE BOSMAN | Published: May 11, 2006

“IT all happens in 24 seconds. Like a souped-up Transformer robot, a silver Sony stereo rapidly deconstructs, then reassembles into the shape of a flat-screen television. The television then converts into a DVD player. The DVD player to digital camera. The camera to portable PlayStation.

The animated spot is the latest television commercial for Sony Electronics, but its creator is not a technology wizard at either of Sony’s two advertising agencies. The commercial is the work of Tyson Ibele, a 19-year-old from Minneapolis who won a contest on the cable network Current TV for its first viewer-created ad message; it will run for the first time today.”

read the rest

It’s so important to continually find ways to provide value in a world of changing and advancing technology.

feed NYT > Business

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Film Locations: Big houses in Dallas

USATODAY.com | Big houses in Big D | By Binnie Fisher, special for USATODAY.com

“Just how Dallas got the nickname, Big D, is debatable. One theory holds that since everything is big in Texas, Dallas had to be a big old city worthy of the nickname, Big D. One thing is certain, though, Dallas is big on big. Dallas has always loved big cars. The city deftly made the transition from Cadillac to Chevy Suburban as the SUV era dawned.”

read the rest

everything’s BIG in Texas, huh? ;-)

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Creative Planet Websites

The Creative Planet websites are the online version of all those niche trade magazines you always can never resist subscribing to (free for qualified subscribers!) and often wonder what you were thinking as six months of “Widgets Monthly” piles up unread; the upside of the online versions (if you can stay your trembling hand from subscribing by email) is you can stay up to speed on your own time on the latest technologies (yup, lot-o industrial/gear/tech press releases) online -and no trees died for your sins:

  • MAGAZINES
    carsound.com
    dcinematography.com
    governmentvideo.com
    medialinenews.com
    prosoundnews.com
    rentalandstaging.com
    resmagonline.com
    sportstvproduction.com
    systemscontractor.com
    surroundpro.com
    televisionbroadcast.com
    videography.com
  • NEWSWIRES
    AVWorshipSystems.com
    LivefromNAB.com
    LivefromNSCA.com
    LivefromCedia.com
    LivefromInfocomm.com
    WhatsnewatNAB.com
  • CREATIVE PLANET COMMUNITIES
    2-pop.com
    cinematographer.com
    designinmotion.com
    dcinematography.com
    directorsworld.com
    dv.com
    editorsnet.com
    governmentvideo.com
    hdvroadshow.com
    postindustry.com
    vfxpro.com
    televisionbroadcast.com
    videography.com
  • MUSICPLAYER
    musicplayer.com
    guitarplayer.com
    bassplayer.com
    dv.com
    keyboardmag.com
    eqmag.com
    backbeatbooks.com
  • EVENTS
    GVExpo
    Digital Media DC
    DV Expo
    Surround Expo
    Entertainment Media Expo
    DVD Entertainment Conference
    HDV Roadshow
  • SUBSCRIPTIONS
    Digital Cinematography
    Government Video
    Medialine
    Pro Sound News
    Rental & Staging Systems
    Residential Systems
    Sports TV
    Surround Professional
    Systems Contractor
    Television Broadcast
    Videography
  • Feeds are available, but as far as I can tell only on the The Creative Planet websites, I wasnt able to find any links to subscribe to the feeds. It would be really nice if these feeds were rss-enabled on the public side; If they were, if you had the tech where-with-all to have (and have figured out how to use) a newsreader, subscribing to feeds to my mind is inherently a lot less painful than an email subscription when you just feel information-overloaded or grow loathe of whatever content you may have happenned to have subscribed to. A lot less potential privacy issues as well, altho admittedly a company such as CMP Media (parent of The Creative Planet websites) is by nature in the business of selling advertising based on aggregation of market research and demographics data, which is probably their reason for not offering up anonymous feed subscriptions. Just seems oh-so-old-school…oh well.

    On the proverbial flip side of the burger, if you are a business in a related field, companies like CMP can provide an important outlet for announcements of newsworthy events or innovations that involve your business. As depressing as all those back issues of WidgetWorld can look piling up on your commode tank, the fact is that journalists rely on these types of periodicals and the data contained therein for background and research. You want to be sure there is plenty of positive hype about your ground-breaking widget in FindArticles as well as (obviously) on Google and Yahoo.

    I personally also like PRWeb, and also NewsisFree for driving people crazy with announcements of my latest bits of news of widget of the month ;-)

    About Creative Planet Communities

    “Founded in 1997, the Creative Planet Communities, a division of NewBay Media LLC, offers online resources for the film and television production professional. Updated daily, the CPC sites offer news, articles and discussions forums for the creative community. The company’s network of sites includes 2-pop.com, VFXPro.com, Cinematographer.com, Videography.com, DCinematography.com and DesigninMotion.com.”

    read more

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    Location Scout Letter

    Location Scout letter (Shaughnessy Lodge) on Flickr - Photo Sharing! | Uploaded on November 11, 2005 | by bmann

    “Why the first or second floor? Are they going to jump out of the window?

    This was, by the way, taped to the front door of my apartment building this morning.”

    read more

    Location Scout letter (Shaughnessy Lodge)

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    Car Photography 101

    Brad Miller takes some car photo workshop folks thru the paces; good basics if you havent worked on this sort of stuff before.

    Take Great Pictures - Master Photographers Tell You How - Brad Miller

    Brad Miller is known internationally for his technically sophisticated and stunningly beautiful automotive work that he shoots in amazing locations with the help of natural lighting. After attending RIT he started assisting his father, Ardean Miller, who is known for his pioneer color photography, with commercial work.”

    Popular Photography - MentorSeries - Brad Miller & FORD Motor Teach Automotive Photography (article is offline)

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    FilmCommissionHQ.com

    FilmCommissionHQ.com | About | What is FilmCommissionHQ?

    FilmCommissionHQ is intended to help Film Commissions (and all other regional media support offices) communicate with and serve the needs of media professionals seeking expert location assistance. FilmCommissionHQ provides a growing solution set of services and products for Film Commissioners that attract business, increase local revenues, reduce costs, streamline operations, and increase productivity.”

    read more

    FilmCommissionHQ has lots of film commission news and information of interest to film production and location scouting professionals. free.

    AFCI is yet another good film office website.

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    NJ Film Lore: Friday The 13th Film Locations

    Friday The 13th: Film Location

    As per this page, Friday the 13th, (the well-known horror cult-classic film series) used locations in NJ for filming the original movie of the series; specifically, Blairstown, NJ, Hope, NJ and Camp NoBeBoSco in Hardwick Township, NJ. I have been to Camp NoBeBoSco, while on a photo shoot some years back at the “next camp over”, Princeton-Blairstown Center run by Princeton University. Both camps are picturesque and rustic and would likely make great future filming locations.

    Friday the 13th Part 2 was filmed around the Litchfield County, CT area and then moved after that to the Saugus, CA area for part 3.

    -RH


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    Google Directory - Location Services

    Top: Business: Arts and Entertainment: Media Production: Location Services

  • North West Vision Funding, help and support provided to filmmakers in North West England.
  • Melody Ranch Motion Picture Studio Western town studio and film location, complete with 12, 000 square ft. sound stage. Props and set dressings available on site.
  • read more

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    ASMP: Searching for Great Locations

    Surfing For Great Locations

    “From discovering specific locations through online databases of images to finding the perfect scout on the ground, the Internet offers photographers a wealth of avenues for improving location scouting efficiency. The following Web sites are good resources to help you on your way.”

    read the rest

    (This is a hyperlinked version of the Net Scouting article that ran in the Spring 2005 ASMP Bulletin)

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    Wikipedia - Filming Location

    Wikipedia - Filming Location

    “A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a studio backlot or soundstage.”

    read the rest

    Also noted on nyc.locationscout.us:

  • Wikipedia - Location Scouting
  • Wikipedia / Film Production
  • Wikipedia / Film Producer
  • feed Filming location - Revision history

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    Wikipedia Film

    Wikipedia - Film

    Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry.”

    read the rest

    feed Film - Revision history
    • SmackBot: Date maintenance tags and general fixes | Saturday, 4 July 2009, 1:09 am
      Date maintenance tags and general fixes Show changes
    • Secundus Zephyrus: {{Split-apart}} | Friday, 3 July 2009, 2:05 pm
      {{Split-apart}} ← Previous revision Revision as of 18:05, 3 July 2009 Line 3: Line 3: : ”For a topical guide to this subject, see [[Outline of film. […]
    • Henry Merrivale: dab link | Thursday, 25 June 2009, 8:31 pm
      dab link ← Previous revision Revision as of 00:31, 26 June 2009 Line 113: Line 113: Film is used for education and propaganda. When the purpose is p. […]

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    Movie Maker Magazine Article

    Note: The following is a draft of “Securing A Great Location”, published in Moviemaker Magazine’s 2005 Beginner’s Guide To Making Movies

    MovieMaker Magazine | Securing a Great Location | By © R. Richard Hobbs 2004

    Chances are, before too much time goes by, you, as a film maker, will be forced to reckon with venturing out of the cozy, controllable confines of a studio/soundstage and into that great wild beyond known as a location.

    If you are a director, your job, (among a plethora of other tasks, of course!), is to think of creative ways to bring a story to life visually.

    If, like me, you are a part of the locations department (location scout and/or location manager), your job is to help the creative team toward this end, and while hopefully thinking equally as creatively and presenting actual real-world location possibilities, at the same time you are obligated to pay quite a bit more attention to the practicality, logistics and nuts and bolts of actually pulling the shot off at the location(s) you might suggest and following up on same.

    Depending on your budget and/or method of working, even though your title may be Director, Assistant Director, Production Manager or even Executive Producer, you may be required to deal with some of the issues yourself that by rights are normally the Locations Department’s; in any case a little “cross-training ;-) ” and insight into what some of the other crew does cant be any less than a good thing!

    All this said, my story will attempt to offer some useful information toward securing the perfect location from the locations department’s point of view.

    As mentioned before, (the aesthetics aspects notwithstanding), there are a number of practical aspects to consider when choosing a location. What follows is by no means complete, but here are a few items in no special order:

    Does the location you are considering work from all technical & logistical points of view? Some questions to ask yourself:

    Where will I put all those trucks and people?

    Is there room for (if not normally legal, then permitted) parking? It is imperative that you or someone from your crew scout the area adjacent to the set beforehand to make sure there is room and to be sure that room is not in front of a hydrant, fire department or bus stop, etc.

    If parking is “tight “ (in high demand) you need to be sure that parking will in fact exist when your crew arrives! Having a permit to park there is one thing, actually “owning” the parking space(s) is another! (As we all know possession is 99% of the law;-)

    In New York City (where I work) there are specialists called Parking Coordinators or Coneheads (for the orange cones they put out). Hire them.

    You need to be sure you can meet the electrical requirements of your shoot. Be sure there is sufficient house power or you can get your genny truck close enough, and be sure you have sufficient electrical cable in any case!

    Is there holding? (a comfortable place to “hold” people while they are not on set) If you are using SAG actors, a requirement is that they have a separate, private area for changing clothes. Be sure there is air conditioning or heat if the weather requires it!

    Does the location work logistically?

    Be careful with scheduling! If you are shooting a scene on one side of town in the morning and it takes an hour to drive to the second set, another hour to set up and then an hour of shooting, you are probably already into meal penalties. Try to find locations close to each other when scheduling scenes to be shot/ talent on call on the same day.

    Is there room to work?

    The most gorgeous room in the world is useless is there is not enough room to get the camera/dolly/lights/actors in there for the angles needed to make the shot.

    What if it rains?

    Do you have a “Plan B” in your pocket? Be careful with weather and cancellations of locations, talent and equipment. It can get expensive.

    Is there light there?

    Is there the correct lighting for the mood you are trying to achieve (or can you make it?) A location can look significantly different on a cloudy day from the day you scouted it and there was daylight streaming thru the branches casting patterns on the ground!

    Are you absolutely sure you have permission to be there?

    Does the owner understand that it won’t just be someone with a camcorder stopping by for a few moments? We become so used to our own world that it sometimes ceases to occur to us that people outside the film industry most often have (or have any reason to have an) inkling about what is actually involved in making a film. You need to be straightforward and accurate about all those trucks, equipment and people that will be showing up for 12-14 hours.

    You should have also prepared in advance a synopsis of the story and the specific scene(s) you are shooting and explain this in detail to the owner. Sure, we love our story, but everybody has their own views and what seems perfectly normal to us may seem controversial or blatantly offensive to someone else (for no apparent reason to us) yet it is they that will have to live with being associated with the film. This is a very large, diverse, very politically correct world we live in today!

    You should always use a property release form and get it signed by the location owner. A property release, in a nutshell, is written permission for you to depict a property to the public on film. Without it, you may leave yourself open to claims of invasion of privacy or other damages. Just do a Google for “property release”, there are standard forms around you can use.

    You should always find out beforehand if there are any local or municipal permits or fees required where you are filming and comply fully with those requirements. A local film office, the city clerk or police department for a given municipality should be able to tell you what, if any filming permit requirements may exist.

    Q: What could suck worse than finding out you don’t have time or money for a permit? A: Getting your production shut down in mid-shoot because you don’t have a permit.

    There a few other general suggestions I might offer that may help you in your quest for the perfect location:

    Never underestimate the power of a film office!

    Local film offices are some of the most underutilized FREE resources available to film makers. A film commission can get you “in” places you could never touch on your own. They have the credibility of being associated with government plus can be an advocate for your project! They can be a godsend if you are filming outside your home turf- They most often have listings of local crew and location ideas for you. They know the local customs and any permit requirements that may exist! Be nice to film offices!

    If you want to find out if there is a film office in your area try here first: www.afci.org

    Leave time for permitting/getting permissions

    I can’t begin to tell how many great locations have been aborted (or lost!) because there was insufficient time allowed to get permission or secure permits. This malady seems to especially afflict film makers just starting out for some reason (?).

    Q: Hey, can you get me and my crane on a rooftop in NYC to shoot tonite?

    A: Sorry, ain’t gonna happen, bubba.

    If time is tight one option may be to use a location agency. These are people/companies (often scouts or location managers) that have an archive of existing pictures of locations that have often been previously used (or scouted and not used for one reason or another) Sometimes time can be saved this way, but don’t expect miracles- permissions must still be obtained and fees negotiated on your behalf.

    Do you have insurance?

    I personally won’t go on a shoot or book locations for a production without insurance. You should have a minimum $1,000,000 (standard now actually seems to be $2,000,000) commercial liability policy that allows for additional insurance of third parties. If you are using payroll and have employees then you should have workmen’s comp. Some locations require proof of this.

    Use the right tool for the job!

    You wouldn’t use a screwdriver to drive in a nail (or maybe you would ;-) ! Anyway, hire a location scout/manager! We are there for u!

    Adios, good luck and p.s. please invite me to the Oscar Party!

  • My Movie Maker Maker Magazine Profile


  • Movie Maker Magazine


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    Wikipedia Location Manager

    Wikipedia Location Manager

    “The Location Department is an often forgotten yet integral department in the creation of a motion picture. Like the Production Coordinator, it is only when things go wrong that the Location Manager gets any recognition.”

    read the rest

    feed Location manager - Revision history
    • 79.146.250.230 at 12:51, 26 June 2009 | Friday, 26 June 2009, 8:51 am
      ← Previous revision Revision as of 12:51, 26 June 2009 Line 18: Line 18: Once a location has been determined to meet the appropriate look, the Loca. […]
    • TastyPoutine: -linkspam for a location manager | Wednesday, 10 June 2009, 11:14 pm
      -linkspam for a location manager ← Previous revision Revision as of 03:14, 11 June 2009 Line 34: Line 34: *[http://www.golm.org.uk/ Guild of Locatio. […]
    • Noroton: add pic of lighting stored on street | Wednesday, 10 June 2009, 10:42 pm
      add pic of lighting stored on street ← Previous revision Revision as of 02:42, 11 June 2009 Line 13: Line 13: Some of the things that a Location Sco. […]

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    Wikipedia Location Scouting

    Location Scouting / Wikipedia

    Location Scouting is a vital process in the pre-production stage of filmmaking and commercial photography. Once scriptwriters, producers or directors have decided what general kind of scenery they require for the various parts of their work that is shot outside of the studio, a search is begun for a suitable place or “location” outside the studio. Location scouts will also look for appropriately spectacular or interesting locations beforehand, to have a database of locations in case of requests.

    Location scouts are also often tasked with negotiating legal access to filming locations.”

    read the rest

  • Note: I started this article and contribute to it regularly.
  • I also started and regularly contribute to Location Library on Wikipedia
  • Wikipedia-n-Me
  • …elsewhere on nyc.locationscout.us:

  • Wikipedia / Location Manager
  • Wikipedia / Location Library
  • Wikipedia / Filming Location
  • Wikipedia / Film Producer
  • Wikipedia / Film Production (Film Making)
  • feed Location scouting - Revision history

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    For Property Owners: Photo Tips

    RICH’S QUICK GUIDE TO POSTING PICTURES TO A WEBSITE

    also here: http://rrhobbs.com/postingyourpics.html

    It’s good to know how to post pictures to a website- whether you are an artist or you have some other tangible object or property you need to illustrate. A lot of people go about this task using email, but there are a few reasons this IS NOT a always a good idea. Consider this: You have a dozen pictures (of anything) that you need to have someone see. Depending on the resolution of the pictures, you could spend HOURS emailing these pictures.

    AND

    1.) If you get ONE letter or number or other character in the recipient(s) email address wrong YOU GOTTA START OVER
    2.) If your ISP limits the message size (my isp limits each email msg size to 2mb) and you go over YOU GOTTA START OVER
    3.) If you need for someone (else) to see the pics later on then YOU HAVE TO SEND THEM AGAIN
    4.)If you forgot to cc: someone YOU HAVE TO SEND THEM AGAIN
    5.) If you left out a picture you have to figure out which one it was and email everybody again.
    Doesn’t it make a lot of sense to only have to go thru these hassles once?

    FIRST THINGS FIRST- WEB BASICS

    A basic understanding of how the www works is needed. For instance, what happens when you look at a web page is that your computer (browser/client) sends a command over an electronic network (the web) to another computer(server) asking it to let you look at some files. (The computers have to understand each other but that’s a story for another day) The spot on the network AND on the other computer where the files are stored is known as a URL (Uniform Resource Locator). The spot that you are “calling” from is known as your IP address (Internet Protocol address). Provided everything goes well, you are sent the content that you requested and you will see a web page(text and/or pictures, etc.) That’s all the web is: FILES ON COMPUTERS! Proper software and hardware on your end makes VIEWING these files possible.

    So the next question is: “How do I become the computer (server) on the “other end“?

    Answer: Unless you are a REAL techie (in which case you would not need to be reading this) you have no business running a web server. BUT there ARE plenty of techies in this world, and there are many servers, AND there are many servers you can USE to display your info to the world. In most cases servers are Unix operating system computers with a direct, very fast connection to the web. Some are free to use, some you pay for.

    Next question: “So how do I get my files to a server?”

    Answer: Several ways, to start.
    Since you are probably new to this you may want to try one of the many “free web space” services available. Several popular ones are: Geocities ( Geocities ), Tripod ( www.tripod.com ), I’m not going to go into detail about using these services, if you go their site(s) plenty of info is available. One way or another the files you wish to display are UPLOADED to the server (More about this later)
    NOTE: The reason these services are free is because you almost always have to display some advertising on your web pages for them. Often you can pay a fee and forego this duty.
    ANOTHER NOTE: You probably use an ISP (Internet Service Provider) to “get on the web”, like AOL, Earthlink, Concentric, RCN using a DIAL UP CONNECTION or maybe you have a DSL or ISDN or CABLE MODEM connection, or maybe you are affiliated with a learning institute or have a a job with a company that is “wired” and they provide you with access to the web. Anyway the point is, if you have an ISP that you pay for you often get web space to use as part of the service.
    You can also get your own DOMAIN. This has a certain amount of appeal because you it’s YOUR domain, and its often easier for people to identify you, which can be a huge boon, especially if you are in business. (i.e. www.rrhobbs.com is MUCH easier to remember than www.tripod.com/rrhobbs or www.geocities.com/broadway/6247/ (these are real url’s however they have not been updated for some time) Getting your own domain involves checking availabilty of whatever domain name “dotcom, net, org” you have in mind, (i.e. rrhobbs.com), and registering the domain with the INTERNIC. The INTERNIC is: “US Department of Commerce regulated organization provides public information regarding Internet domain-name registration services.” See the INTERNIC site for all the details ( www.internic.net )

    Once you have your own DOMAIN alas, you still need a HOST (a server to use). Often your present ISP offers WEB HOSTING SERVICES, and there are many companies who do nothing but web hosting. www.ispcheck.com is a good starting point for finding a web hosting service. Your web host can assist you in registering your domain, too.

    GETTING YOUR FILES ONLINE- REALLY

    If you get your own domain and web host, most likely the way you will be getting your files on the server is to FTP (FILE TRANSFER PROTOCOL) them to the server. Your webhost will most likely have plenty of details about this (the parameters,settings and password needed by your FTP PROGRAM (your webhost will probably have some suggestions, a couple I know of are WSFTP ( www.ipswitch.com ) and Cute FTP ( www.cuteftp.com ). There are Mac OS ftp programs (clients) at www.macosarchives.com .
    A user friendly way to present your pictures is to use THUMBNAILS. A program I use is Thumbnailer . It will not only create thumbnails, it will automatically generate web pages, saving a LOT of time and headaches.

    NOTE:Unfortunately, (at this writing) Thumbnailer is available for Windows only. I’ve heard that Extensis Portfolio is a good thumbnailer for Mac OS. I don’t know whether it will generate web pages on the fly or not tho. You can also make thumbnails in Photoshop.

    This is not, nor is it intended to be, a be-all / end-all for web publishing. In that vein, please don’t email me with questions about any of this unless I specifically requested you do so. Use your ingenuity and search for more info about stuff you dont understand or would like to know more about on the web. There’s A BUNCH of stuff! Good luck!

    Legal Mumbo-Jumbo: The reader uses information obtained via this document at his/her own risk. The author is in no way responsible for damges incurred in any way from use of any information contained in this document.

    RH | GeoURL | NAC | Plazes | Dipity | outside.in | Mapufacture | Post Map

    # updated 6/7/2008 - some clean up / added map


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    Information for Property Owners

    Please note: The most currently updated info is available here: http://rrhobbs.us/locproc.owners.html

    Excerpt:

    PLEASE READ THE INFORMATION BELOW CAREFULLY. AT THE BOTTOM OF THE PAGE IS A LINK TO A FORM YOU MAY USE TO LIST YOUR LOCATION WITH US.

    (INFORMATION FOR ALL HOME/ PROPERTY OWNERS)

    LOCATION PORTFOLIOS:
    a. We create a digital photo portfolio of your location. Initially we might request that you send us some photographs of your location (dont have to be professional) to give us an idea of what it looks like. We may also request to come out to scout ourselves.
    b. We promote your location by emailing an internet link of pictures of your property we have on file to clients when an enquiry is made for locations of the type for which your property may be suited.
    c. Once a client shows interest in your location we will call you to:
    1. give you what details we have and find out if your property might be available.
    2. discuss fees, restrictions, rooms to use, etc.
    3. set up a time for the client to come and do an initial “go see.”

    Read the rest

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    Information For Production Personnel

    rrhobbs logo

    Most currently updated information go here: http://www.rrhobbs.us/locproc.html Excerpt:

    ALMOST EVERYTHING YOU EVER WANTED TO KNOW ABOUT LOCATION PROCEDURES*
    *but were afraid to ask! oh-no!
    GENERAL INFORMATION FOR ALL PRODUCTION and CREATIVE SERVICES DEPARTMENTS
    (property owners should read this)

    How it all works:

    You need a location for your production- You have a visual/graphic idea, perhaps a geographic idea where it needs to be for it to work for you and hopefully some idea of how many people, what equipment will be used, how many vehicles might be involved and (not leastly;-) what you can afford to spend.

    We have locations- (over 2,500 on file as a matter of fact!) We have pictures of locations. We know the owners. We know the tri-state area. We network with our peers- other location agents, scouts, other production professionals, film commissions, real estate professionals and others.

    Read the rest… Most currently updated information go here: http://www.rrhobbs.us/locproc.html

    RH | GeoURL | NAC | Plazes | Dipity | outside.in | Mapufacture | Post Map


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    About Film Permits

    About Filming Permits | Information for Production and Property Owners:

  • Many towns and municipalities in the New York City area, especially those close to Manhattan such as Bergen, Passaic, Hudson and Essex Counties in New Jersey; Westchester, Rockland and Orange Counties, NY; Nassau County, Long Island, NY and the Stamford, CT area, to New York City (which as been a major filming hub for many years) have filming permit requirements.
  • Additional Info:

  • Many New York City area productions are crewed with members of various guilds and unions that have established their own “film zones“, or, generally speaking, areas in which they will work as locals. Depending on the union or guild in question generally the New York City “film zone” (or “The Zone”) is a radius of 25-30 miles emanating from Columbus Circle in Manhattan. Non-union productions often use “The Zone” as a point of reference for travel and logistics as well.

    Towns and municipalities in “The Zone” are more likely to have formal permit requirements and there may be fees involved. Towns and municipalities outside “The zone” may have permit requirements as well, however requirements tend to relax as distance from New York City increases and population density decreases.

    There are exclusive communities that do not allow filming at all, however this is the exception.

    The point being made is that property owners and production alike should check with local government as to whether a property (whether it be municipally-owned or privately owned) under consideration as a filming location is subject to film permit requirements.

    Property owners and production alike should understand and should be prepared to comply with any local filming or photography permit requirements as they may exist. Not only is it the right thing to do, but when you think about it it be could darn expensive to reshoot after being shut down for not having a permit!

    The city clerk’s office or police department are good starting points for getting information regarding local film permit requirements.

    Often a film permit will include require production to provide a certificate of insurance showing the municipality third-party additionally insured.

    Sometimes “leafleting” or advising neighbors in writing of an intended shoot is a permit requirement.

    Many permit requirements revolve around issues of impact on the community with regard to traffic congestion and safety, noise, and “general commotion”. Even a small photo crew, under certain circumstances, let alone a large production with a large crew, many vehicles and a lot of equipment can be potentially be very disruptive to neighbors or the area at-large.

    Permit requirements very widely from town to town and can require as little effort as notifying the local police department or sending the town a letter of intent to multiple forms to multiple local government offices / agencies and fees of over $1000 per day.

    Even if there is no formal permit required is usually advisable to contact the local government and police department, especially if a shoot is to take place on public property or has any potential whatsoever of being disruptive in any way.

  • Helpful links:

  • NJ Film Office
  • NYS Governors Office of Motion Picture and Television Development
  • The City of New York Mayor’s Office of Film Theatre & Broadcasting
  • Nassau County, Long Island, NY Film Office and The Long Island Film & TV Foundation
  • Suffolk County, Long Island, NY Film Office
  • Westchester County, NY Film Office
  • Connecticut Film Office
  • Pennsylvania Film Office
  • Philadelphia Film Office
  • Association of Film Commissions International
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    Pearl Jam - Creative Commons

    Slashdot | Pearl Jam Releases Video Under Creative Commons | Posted by ScuttleMonkey on Saturday May 20, @11:58PM from the popular-to-be-free dept. | Music | minitrue writes:

    Pearl Jam released their first music video in quite a while under a Creative Commons license allowing anyone to “legally copy, distribute and share the clip” for noncommercial purposes. Creative Commons thinks this may be the first video produced by a major label ever to be CC-licensed. So although the file is only available as a free download via Google Video through May 24, fans can continue sharing it online themselves in perpetuity.”

    15 years ago I would never have have believed you if you told me this would be a headline in 2006.

    Telecommunications and networking are truly turning the world on its ear. Those of us working in communications fields would do well to keep our eyes and ears open for events such as this, as well as advances/changes in technologies in general. -RH

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    AICP Bid Form at NYPG.Com

    AICP Bid Form at NYPG

    New York Production Guide (NYPG) hosts a downloadable pdf of The Association of Commercial Producer’s (AICP) Estimate Form

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